Meadowbrook (Michigan) Wine and Food Festival

Saturday, August 22

Picture perfect weather and a gorgeous location among the lawns and gardens of the Meadowbrook Music Festival north of Detroit, the 2015 Meadowbrook Wine and Food Festival didn’t disappoint… at least not with the wines.

With five large tents housing more than 150 wines from 18 regions and featuring 9 Michigan wineries there was something for everyone.

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I spent my drink tickets principally on the Michigan wines.   As expected I found a few that were sweeter than I prefer but on the whole Michigan made a strong showing.

St. Julian Winery
Late Harvest Riesling
Established shortly after the repeal of Prohibition, St. Julian is one of Michigan’s oldest and most well-known wineries.    The Late Harvest Riesling is a sweet wine yet crisp and very approachable even for those, like me, who prefer dryer table wines.   The wine is smooth on the palate with notes of peach and honey.

Fieldstone Winery
Motor City Dry Red – Syrah
The most “local” of the local wineries pouring at the festival, Fieldstone is located in downtown Rochester Hills, about 30 minutes north of Detroit and a few miles from the festival site.  A local winery in that they make their wines here in southeast Michigan, Fieldstone sources their grapes from “all over,” including bringing the syrah in from California.   A new line, the Motor City Red is lovely: soft, dry and medium-bodied, with notes of black cherry and a pleasant minerally finish.   Locapour purists will argue this doesn’t classify as a local wine, and I agree.  But with results like this I’m more than happy to support local winemakers.

Warner Vineyards Winery
2 Cab Merlot
A Cabernet Sauvignon/Merlot blend, this wine has nice notes of dark berries without being overly jammy.    Full-bodied with medium tannins, the wine has a nice, slightly “dusty” finish.

Vidal Blanc Ice Wine
I am a sucker for a good ice wine, and Warner’s didn’t disappoint.    The wine had a silky, rather than satiny, mouth feel and lovely notes of pear and honeysuckle.

Bel Lago
Pinot Noir “North”
Located in the northwest corner of the Lower Peninsula, not far from Traverse City, Bel Lago grows a number of cool climate grapes including Pinot Noir, Pinot Grigio, Chardonnay, Riesling and Gewurztraminer.    Their Pinot Noir was my choice for pairing with lunch.  Smooth, with soft notes of raspberry and cherry, medium-tannins, and a nice finish.   The wine held up well against the beef brisket BBQ nachos I had for lunch, balancing the smoky sweetness of the BBQ sauce.

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And speaking of food, for a festival advertised as a “Wine and Food Festival,” the food options were very slim.   Kroger, the largest grocery chain in Michigan and a sponsor of the event, had a large tent at the entrance to the event featuring a sampling of standard grocery-store deli fare: Boar’s Head turkey or ham sandwiches, cheese and coleslaw.   There were two food trucks: The Pistons Maplewood BBQ and Chick-A-Dee.    The Maplewood BBQ beef brisket nachos were very good, but there’s no question this is NOT a food festival.

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Seven Lakes Vineyard
Cappricio
I started my day with the Seven Lakes Capriccio, and at the end of the day this remained my favorite of all the wines sampled.    Nice nose with light notes of cherry blossoms.  In the mouth, the wine is juicy rather than jammy with bright notes of cherry.  The finish has a very light pepper which balances the fruitiness, yielding a very nice wine.   Looking forward to opening the bottle I brought home.

Cabernet Franc
I finished out the afternoon with samples of two grapes I had come to love during my time exploring Connecticut Wineries.     Seven Lakes’ Cab Franc was surprisingly earthy – surprising to me who had grown so accustomed to the very fruit-forward cherry I found in Connecticut Cab Francs.   Full-bodied with lovely notes of grass and well-balanced tannins and a smooth finish.

Dizzy Daisy
Marechal Foch
Dizzy Daisy’s Marechal Foch, like the Cab Franc which I sampled shortly afterward, came as a surprise – in this case a shock… it was sweet!    I had my first encounter with Marechal Foch almost seven years ago when I first started traveling the CT Wine Trail.   Finding the grape to come across as very young and green, it took me quite a few samplings before I came to appreciate it, and even longer before I became a fan.   Like so many other CT reds it was very fruit forward, but it was always a dry wine.    As a semi-sweet wine, the fruit notes were much stronger and also smoother than in other Marechal Foch’s I’ve tried.  The additional sugars balanced out the “greenness” I often detected, and as a result I suspect Dizzy Daisy’s is more approachable to a majority of wine drinkers.   But as my preference leans towards dry wines, I found this to be less interesting.

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It’s hard to glean a lot about wines and winemakers from 1 oz samples, especially when you are sampling across a range of wineries.   With people lined up behind you, there’s not much time to chat.  But as a small introduction to the wines of my new home state it was a great afternoon.

Marguerite Barrett
Contributing Writer

Willamette Valley AVA

It’s Willamette Dammit! And rightfully so, as this appellation is the big daddy of Oregon winemaking. (also, it is pronounced Ora-gun not Or-e-gone. These folks are making you delicious wine. Be respectful of their ways).  Stretching 150 miles north to south and 60 miles wide in some places, this is the home of Pinot.  The climate is perfect for it.  Located in the same latitudes as the vineyards of Alsace and Burgundy with warm dry summers and a cool rainy season all that this viticultural area needed for success was the perfect soil conditions.  And what do you know?  They got them.  Oregon’s Jory soils are located in the foothills of the region are are composed of igneous rocks that were swept through the region thousands of years ago at the time of the Missoula Floods.  The soil is thick, well drained and full of minerally deposits that grapes just love.

While there is a long history of agriculture in the region, viticulture didn’t really take off until the mid to late 1960s  when UC Davis alum Charles Coury, Dick Erath and David Lett found their way up north of California.  From there the industry has grown by leaps and bounds with around 200 wineries and an additionally six new sub-appellations in existence.  And while Pinot Noir is King, it isn’t the only game in town, additionally grown are:

  • Auxerrois
  • Cabernet Franc
  • Cabernet Sauvignon
  • Cascade
  • Chardonnay
  • Dolcetto
  • Gamay
  • Gewürztraminer
  • Malbec
  • Marechal Foch
  • Melon
  • Merlot
  • Muller Thurgau
  • Muscat Canelli
  • Muscat Ottonel
  • Nebbiolo
  • Pinot Blanc
  • Pinot Gris
  • Pinot Noir
  • Riesling
  • Sauvignon Blanc
  • Syrah
  • Tocai Fruiulano
  • Viognier

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Gretchen Neuman
VinoVerve Editor

Minnesota Nice – Carlos Creek

Gretchen Neuman
VinoVerve Editor

On my way back from Walla Walla and before I reached my stop at Bunbury Farm, I stopped at the one winery in the one viticulture area entirely within the state of Minnesota. Alexandria Lakes, as previously mentioned is tucked in between several of Minnesota’s 10,000 lakes. Currently there is only one winery located in this region, Carlos Creek.

I pulled into the winery’s driveway on a Wednesday morning in June to find the place packed. Maybe folks were taking 4th of July vacations early, but I got the feeling that the place was used to this kind of crowd. The tasting room was large with a rectangular bar in the center. One side of bar was stocked with the wines shelves and related tchotchkes. The other side of the bar had tables for groups to linger at including a cozy firepit.

I walked up to the bar for a tasting ($5.00 which includes a keepsake wine glass) and began to try the wines. I learned that the winery has twelve acres of vines of Frontenac, Foch, Valiant, Swenson Red, La Crescent, King of the North, Brianna, Marquette, Petite Pearl and Edelweiss and fifteen acres of apples including Honeycrisp, the Minnesota State apple. The winery also makes wine from contract grown fruit that is both local and out of state.

I began with the Chardonnay (grown in California as that is not a grape to survive the harsh Minnesota winters. The color was beautiful and tasted dry with a nice amount of fruit although the finish was a shade metallic.

The Woebegone White was pale and offsweet with the flavors of apples and pear and is produced from Frontenac Gris. This wine is part of the wineries “Minnesota Nice” line which are made entirely of locally grown fruit. It is a nice wine for a hot summer afternoon spritzer (my preferred way of drinking sweeter wines). The line also includes the Hot Dish Red, a blend of Frontenac and Valiant and the You Betcha Blush (a phrase, I sadly associate with Alaska instead of Minnesota these days) which is also Frontenac based.

Next I tried the reds. I started with the Marquette. The grape is a recent development from the University of Minnesota which has a strong viticulture program and is the Upper Midwest’s answer to Pinot Noir. It was certainly dry, with distinct tannins and smooth texture. In all fairness though, it was not my favorite as there was a distinct foxiness to the wine.

I then tried the house Chianti which is a blend of Sangiovese, Merlot and several estate grown grapes. I liked this wine. Like my favorite kinds of Chianti, it was flavorful and smooth to make it perfect to drink with dinner.

The last wine I tasted was the Trinity, blend of Cabernet Sauvignon, Merlot and Syrah and ended up being my favorite wine of the afternoon. I have to admit to enjoy trying traditional varietals from local wineries. I feel that these wines provide a baseline about a winery. I know what California Cabernet is supposed to taste like. When I try the local options, I am better able to pick up the nuances of varietals that I am less familiar with and terroir. The Trinity was cherry and peppery on the nose with a taste spiced cherries and plums.

At this point in my visit a tour of the facility was beginning, led by the wineries’ owner Tami Bredeson. We learned that she and her husband Kim became interested in wine and winemaking after he was commissioned to produce a carved mantelpiece for a woman who worked for Robert Mondavi. As a thank you, she gave them a bottle of Opus One and the Bredesons decided to learn more about wine before opening that bottle.

I have been on several winery tours and this was about the most thorough that I have seen (particularly for a winery without an extensive history). We learned how they chose the cork for their bottles (Sardinian cork) and the cooperage that they buy barrels from (Kelvin Cooperage). A nice surprise was the cave built under the winery. The Bredeson’s attention to detail is impressive.

Like most wineries, the Carlos Creek hosts a wide assortment of events in addition to the tastings and tours, including weddings, craft shows, live music, surrey bike rides, mazes for the kids, cross country skiing and dog sled rides. This is not your average country winery.

Carlos Creek Winery
6693 County Road 34 NW
Alexandria, MN 56308
320-846-5443

Better Know An AVA – Lake Michigan Shore

Gretchen Neuman
VinoVerve Editor

Continuing my Michigan winery planning I move on to Lake Michigan Shore. Why? Well it contains the Fennville AVA and is the appellation listed on the bottles for the only winery in the Fennville AVA. And frankly, it is the Michigan appellation that is closest to home for me as it takes about 90 minutes (not counting traffic snarls) to enter into Michigan.

Why is this area significant? Well, unlike most northern wine regions, Michigan Shores produces a good number of vitis vinifera grapes, including Cabernet Franc, Cabernet Sauvignon, Chardonnay, Gewurztraminer, Lemberger, Malbec, Marsanne, Merlot, Petit Verdot, Pinot Gris, Pinot Noir, Riesling, Roussanne, Syrah, and Viognier. The reason? Something we Midwesterners* call “Lake Effect”. The water in the Great Lakes (essentially small fresh water inland seas) moderate the temperatures and the precipitation on lands west of each lake. Temperatures never become as frigid as they would on the east coast of a lake as they do on the west coast. Anyone who has lived in Chicago and Buffalo or Detroit can tell you how they differ (and this blog has a couple of gals who have experienced the difference. Chicago is much colder). This gives the grapes a longer growing season than is experienced in say, Iowa and a couple of weeks makes a big difference. The soils are a relatively uniform throughout the region, consisting of glacial moraines.

In addition to being relative close to home, there are a good number of wineries in the AVA. How many? Well that depends on who you ask and what you count. Why who you ask? Well, the folks at the Lake Michigan Shore Wine Trail list count twelve wineries as members. Me? I count about seventeen. More is better right? Well, that leads to the what you count part, as several of the wineries have multiple tasting rooms. Tasting rooms are great in a pinch, but frankly I prefer going to the winery directly, at least if it is possible. Given the number of beachfront cottages, condos and other casual getaway places in the area, I would have been surprised if there weren’t tasting rooms trying to take advantage of the numbers of summer people.

I am planning to head out on Sunday (barring teen disasters) to visit a couple these wineries. If you have a favorite? Let me know… contact me at gretchen at vinoverve.com

Where should I visit? Email me!

Wine and Ducks on a Speed Date

Gretchen Neuman
VinoVerve Editor

Somewhere a duck quacked and I was poured wine.

oops. That is a little out there, but I like the thought of wine being poured with the regularity of ducks quacking. Which brings us to Duck Pond Cellars. Greg Fries, partner and one of the winemakers poured for us their 2008 Red Blend which is a mix of Merlot, Cabernet Sauvignon and Syrah. The fruit is from the Desert Wind Vineyard which is also owned by the Fries Family.

Quack. Can I have some more, please?

Duck Pond Cellars
23145 Hwy 99W
PO Box 429
Dundee, Oregon 97115
1-800-437-3213

The Final Four

Marguerite Barrett
Contributing Writer

We could easily have stopped with the Réserve Personnelle, and I would have felt I had gotten more than my money’s worth from the seminar, but there were four more wines lined up in front of me.

Change le Merle Vielles Vignes 2007, Bosquet des Papes, presented by Nicolas Boiron, proprieter and winemaker.  Blend 88% grenache, 8% Mourvèdre and $% syrah grown on three parcels, Gardioles, Montredon and Cabriéres.  The vines are 90+ years old, and the wine is aged 14 months in a combination of demi-muids and foudres.  Only 750 cases were produced.

The Chante le Merle Cuvée was first produced in 1990 by Maurice Boiron, the third generation of the Boiron family to helm Bosquet des Papes, and since then he, and now his son Nicholas who took over the winemaking in 2000, produces the Cuvée only in those vintages that he feels deserve it.

The color is a dark ruby color with some lovely deep red notes when the wine catches the light.  The nose is very soft with light notes of fruit, particularly cherry.  In the mouth, the wine is soft, lush, lightly fruity and very spicy with strong notes of pepper and cumin.  This is a very big, robust wine, a “steakhouse wine,” if you will.  The finish lingers with the warm toasty spiciness of the cumin.  Soft tannins help give the wine a nice balance and complexity.  Overall this was another one of the eyes-rolling-back-in-the-head, wish-I-could-afford-these-wines moments and I immediately texted Kevin, who, I am sure, was heartily sick of my taunting him with “you should be here” texts.

Vielle Vignes 2007, Domaine de la Côte d l’Ange, presented by John Junguenet.  Blend 90% grenache, 5% syrah, 5% Mourvèdre, grown on the parcel for which the domaine is named: Le Coteau de l’Ange.  the age of the vines is 95 years, and the wines are aged for 12 months in foudres and 2-3 year old barrels.  600 cases were produced.

The Vielle Vignes gave the Domaine Pierre Usseglio & Fils Cuvée du Mon Aïeul a run for it’s money for the top spot as my favorite of the day.  Even revisiting the Cuvée in a back-to-back tasting, I was hard pressed to choose between the two.  I’d call it a tie, but as I tasted and compared, I realized if I was going to recommend one wine to Kevin from the entire group, this would be it.

The color is a dark garnet, not as bright as the previous wine, but still a lovely color.  The nose is soft and very light with notes of sea air – that bright salty crispness you often find in sea air.  In the mouth, the wine is smooth and fruity, although I found it difficult to isolate particular notes.  The finish is also smooth and lightly fruity and while another robust wine, it lacks the spice found in the Chante le Merle.  It was a very interesting contrast to taste the two back to back.

Cuvée du Quet 2007, Mas de Boislauzon, presented by Daniel Chaussy, proprieter and winemaker.  The blend is 80% grenache and 20% Mourvèdre, grown on the Bois Lauzon parcel.  The wine is aged for 16 months in a 50/50 combination of foudres and 3-year old barrels.

Daniel Chaussy, who runs the winery with his sister Christine, first produced the Cuvée in 2000 as a showcase for the Mouvèdre, with the base of the wine (60-70%) being old-vine Mouvèdre.  In 2007, he flipped that and increased the percentage of grenache.  The result earned the Cuvée 100 points from Robert Parker.

The color is a deep ruby/garnet.  The nose is earthy, rich and almost loamy – a really lovely nose with a much stronger presence than that of the previous few wines.  In the mouth, the wine is dry, earthy and elegant – lovely notes of grass and a lot of spice, particularly the sharper heat of pepper.  The finish lingers on peppery notes.  The wine still has the feel of a young wine, and while definitely drinkable now, I very much felt the potential, and think that this will really transform and blossom with aging.  Overall, while not a bad wine, I found it not as strong or as interesting as some of the other wines in the selection.

Les Petits Pieds d’Armand 2007, Domaine Olivier Hillaire.  Presented by Olivier Hillaire and translated by John Junguenet.  Blend, 100% grenache grown on a single parcel, Le Crau.   The vines are just over 100 years old, and the wine is aged 14 months in demi-muids.  330 cases were produced.

The color is a dark ruby, with a dense opaque tone.  While a lovely color, the wine doesn’t catch the light in quite the same way as a number of the other wines.  The nose is absolutely gorgeous – soft but complex; earthy, spicy and notes of dark berries.  In the mouth the wine is smooth with lovely, soft, rich notes of dark plum.  The sharp spicy heat of pepper comes with the finish providing an interesting complement to the soft plumminess.  Very, very nice wine, and like all the wines I tried that day, will definitely grow in depth and complexity as it ages.

That concluded the seminar, 10 Chateauneuf-du-Papes from the remarkable 2007 vintage, that near-perfect year.  Since returning from the seminar, I’ve been doing some hunting via Google to see if I can pick up at least a couple of bottles to cellar for a few years.  Even as young as they are, these are not cheap wines – most start in the low $100s and move up from there.  They also are not widely available, due both to the relatively low number of cases produced and limited distribution here in the US.  Luckily I live on the East Coast, near New York, and am sorely tempted to head down to the city, cruise the wine shops, and see what I can find.

Ten 2007 Chateauneuf-du-Papes – The Journey Continues

Marguerite Barrett
Contributing Writer

The seminar proceeded rather leisurely; we were provided with plenty of time to enjoy each wine before moving on to the next one.  Also. the Junguenets were generous with their pourings, providing full half glasses of each wine, rather than the usual few ounces I’d found with other seminars.  It meant that most wines were left unfinished on the table (or I wouldn’t have made it home that afternoon), but there was plenty of opportunity to not only taste the wines, but also to revisit them, doing quick side-by-side comparisons of ones that were particular favorites.

After the Reserve Sixtine, we moved on to

Cuvée Vielle Vigne, Domaine de la Charbonnière, presented by Veronique Maret, daughter of proprieter and winemaker  Michel Maret.  Blend 70% Grenache, 30% Mourvèdre grown on two parcels, La Crau and Charbonnière.   The age of the vines averages 65-70 years old, with a few being almost 100 years.  The wine is aged in both foudres and barrels for 12-18 months.  4,000 cases were produced.

The wine itself is a dark ruby color, with an earthy, lightly musty nose that I found really pleasant.  In the mouth, the Cuvée is earthy and spicy, with strong notes of pepper that linger through a very long finish.   Strong tannins and an overall “young” feel to the wine kept it from immediately being one of my favorites of the afternoon, but I was definitely intrigued enough to want to revisit the wine in a few years.  This is one that I may try to track down and cellar a few bottles just to see how it ages.

The Domaine de la Charbonnière will be celebrating their 100th anniversary in 2012.  Originally purchased by current winemaker Michel Maret’s grandfather, Eugene, as a present for his wife, herself the daughter of a Chateauneuf-du-Pape winemaker, the estate has been family owned ever since.  Under the propriertorship of Michel Maret the domain has, in the words of Alain Junguenet, become one “of the upper echelon of Chateauneuf-du-Pape estates.”

Cuvée de Mon Aïeul 2007, Domaine Pierre Usseglio & Fils, presented by John Junguenet.  The Domaine is a relatively new one, founded in the 1940s by Francis Usseglio, who had left his native Piedmont in 1931 to work in the Chateauneuf-du-Pape vineyards.  He produced his first vintage in 1949, and soon was joined by his son, Pierre, for whom the domain is now named.  Francis’s grandsons, Jean-Pierre and Thierry Usseglio today run the estate are the Domaine’s principal winemakers, who designed this wine as an homage to their grandfather.  The age of the vines is 80 years, and the wine is fermented for 14 months in cement tanks, with 10% being aged in 1-3 year old oak barrels. 1,500 cases were produced.

The Cuvée is a blend of 95% grenache and 5% syrah, grown across four parcels: Grand Serres, Les Serres, Esquirons, and Les Bédines.  The is a medium-dark ruby color, a bit more vibrant and not as deep a color as the previous Cuvée.  The nose is earthy, musty, and has light spice notes, particularly pepper and a hint of the toasty warmth of cumin.

With one sip this wine went immediately to the top of my favorites list.  Definitely one of the eyes-rolling-back-in-the-head moments that I tormented Kevin with all day.  This is an absolutely beautiful wine, smooth with deep rich notes of dark fruits particularly black cherry and blackberry.  The mouth feel is lush and satiny, and the wine really expands and blossoms in the mouth.  The finish moves to notes of spice and toast and lingers on the palate.

Unfortunately a bit out of my price range at an average of $150 per bottle, but one I will definitely keep on the list for a future indulgence.

Réserve Personnelle 2007, Le Vieux Donjon, presented by Claire Michel, daughter of proprietor and winemaker, Lucien Michel.   This was one of the highlights of the seminar.  As the name suggests, the 2007 Réserve was produced as a private wine, just for the family.  Only 600 cases were produced, and none were released for sale.  However, because of the Michel’s longstanding relationship with Alain Junguenet, who we were told begged to have the wine included in the seminar, the Michels did agree to release a case.

The blend is 90% grenache and 10% syrah, grown on the Pied-Long (Pielons) parcel, the oldest parcel of the domain.  The vines are between 95 and 100 years old, and the wine was aged for 15 months in foudres.   Described by Claire Michel as a very traditional wine, the color is a lovely jewel-tone ruby.  The nose is earthy with discernible notes of grass and hay.  In the mouth, the wine is soft and fruity with a soft peppery finish.   The oak adds a soft butteriness, rather than the toast or licorice notes I had been finding in the previous wines, and it contributed to an overall soft, silky mouth feel.

I found myself comparing it to the Usseglio Cuvée we had just sampled, and even went back to the previous wine to try a back-to-back tasting.  Both are very impressive wines, but I found the Usseglio just edged out the Réserve for the top spot on my list.

Coming Thursday: The Final Four

Ten 2007 Châteauneuf-du-Papes

Marguerite Barrett
Contributing Writer

If there was one theme we kept hearing throughout the seminar it was “2007 was as perfect a year for growing wine as one could hope for.”  Despite experiencing one of the worst droughts in more than 20 years (only 1.38″ of rain between June and mid-September), the consistently mild temperatures (average of 73ο F) and over 20 days of strong, cool Mistral winds blowing across the Rhone Valley which kept the vines from drying out after the rains, resulted in near-perfect growing conditions across the region.  As a result, the 2007 vintage is consistently one of the best across all Châteauneuf-du-Pape producers.

Joining Alain and John Junguenet in leading us through this exploration of the 2007 vintage were many of the winemakers or winery owners.  A couple only spoke French, but it was a rare and fascinating treat to hear their impressions of the wines we were tasting.  We kicked off with the

Hommage à Henry Tacussel 2007, Domaine Moulin-Tacussel.  Presented by Didier Latour, the cellarmaster and winemaker at Henry Tacussel.  Blend: 93% Grenache, 7% Syrah; Parcel: Charbonnière.   The Charbonnière parcel has a mix of Galet (rocky) soil in the higher elevations and sandy in the lower.  The vines are between 80 and 90 years old and were planted by Henry Tacussel, who created the domaine in the late 19th century.   The wine is aged in oak barrels for twelve months, and only 1800 bottles were produced.

The color is a rich, dark purple.  The nose is earthy with very discernible notes of pepper.  In the mouth, the wine has light notes of cherry, and the mouth feel is smooth, rich and full.  There’s a slightly sharp finish that I felt primarily in the top and back of the mouth, but that should soften with cellaring and when paired with food.

Réserve Spéciale, Château Fortia.  Presented by winery manager, Pierre Pastre.  The domaine was founded by Baron Le Roy de Boiseaumarie, the man credited with organizing the region’s winemakers in 1936 and creating France’s first AOC, and is now owned by his son, Bruno Le Roy, who is also Fortia’s winemaker.   The domaine, and the parcel, are named for the castle, Château Fortia, that sits on the land, and the estate is one of the few whose vines and cellar are all within the same parcel.

Blend: 85% Syrah, 15% Mourvèdre; Parcel: Fortiasse.   This average age of the syrah vines is 35-36 years, with the Mourvèdre averaging just over 50 years. Château Fortia vinifies the wine in cement tanks before aging for 14 months in oak barrels.  While not a common blend for a Châteauneuf-du-Pape, I found this one of the more interesting wines of the seminar.  The color is a very dark purple/dark ruby color, almost black.  The nose was very soft with deep rich notes of blackberry and black currant.  In the mouth, the flavors are layered but well balanced, with notes of blackberry, black currant and a gaminess which I found quite interesting.  Pastre described the gamey notes as touches of venison, and I must say they provided an interesting richness and depth.   The wine opens in the mouth, and finishes with notes of black licorice.   While definitely drinkable now, the wine was designed to be aged 10-15 years, and production was limited to only 250 cases in an attempt to improve the overall quality.

Réserve Sixtine 2007, Cuvée du Vatican.  Presented by John Junguenet.  Cuvée du Vatican is owned by Jean-Marc Diffonty, who is both proprieter and winemaker, heir to a long family history of winemaking which dates back to the 17th century.   Diffonty’s father, Félicien, also served as Châteauneuf’s mayor for more than 30 years.   Jean-Marc Diffonty took over the winery from his father in 1993, and since then has been credited with bringing “the estate a very long way in the last 14 years” (source: Alain Junguenet Selection Seminar Notes).  He was the first winemaker in the appellation to have a punch-down machine, designing his own machine.

The Réserve Sixtine 2007 is a blend of 55% Grenache, 30% Syrah and 15% Mourvèdre grown on three parcels: La Crau, Barbe d’Asnes, and Rayas.  The age of the vines is roughly 60 years, and a blend of grapes are gown in each parcel, allowing for a blend of terroir in addition to the blend of grape.   The Réserve Sixtine is a relatively newer wine for Diffonty, who first began producing it in 1998.  Diffonty also uses a relatively high percentage of new oak in his wines, aging the wine for 12 months in a combination of  foudres (40%), new oak barrels (30%) and stainless steel tanks (30%).  2,009 cases were produced.

Like the previous two wines the color is a dark purple, but leaning more towards shades of dark plum rather than ruby.  The nose is soft with very discernible notes of cherry.  In the mouth, the wine is bright, but elegant with a lush mouth feel.  The cherry is also present on the palate and there are notes of pepper on the finish, which lingers beautifully in the mouth.  While I liked the wine, I did feel it was still young, and would definitely benefit from cellaring.

Tuesday, 4.20.2010 – the exploration of the 2007 Châteauneuf-du-Papes continues.

More Washington AVAs – Red Mountain

Gretchen Neuman
VinoVerve Editor

At the time of this writing, the Red Mountain AVA is, indeed, the smallest appellation in the State of Washington, although if the trend of designating smaller and smaller sub-regions continues we will eventually have every block of vineyard considered unique.  The appellation is located in both the Yakima and Columbia Valley AVAs in Benton County, Washington between the towns of Benton City and Richland.  This area has 4,040 acres, 600 of which are under cultivation.

Appropriately enough given the name of the appellation, the area is known primarily for its high quality red varietals including Cabernet Franc, Cabernet Sauvignon, Merlot, Sangiovese and Syrah.  It is believed the quality comes from the Southwest facing slopes which are warmer than typical for the Columbia Valley and cool evenings which preserve the acid levels within the grapes.  Additionally the gravelly soil with high levels of calcium carbonate and acidic soils help to balance the flavors and concentrate the berry flavors of the grapes.  Is this how the mountain got its name?  No.  It is named for the wine red color that the native cheatgrass turns in the spring.

Wine began to be produced on the Mountain in the 1970s with John Williams of Kiona Vineyards and Jim Holmes (now) of Ciel du Chaval.  There are now 13 wineries including:

The total acreage in the AVA under cultivation is 14.85% of the total… imagine the wines that could be produced from 15% or 20%!

Wine From Some Young Punks

Gretchen Neuman
VinoVerve Editor

Sin On Wheels

I don’t think it is news to anyone that I love wine. Ok. Stop laughing already. I SAID it wouldn’t be news. And as much as I love local wine, I love trying wine from all over the world. Is this inconsistent with my locapour ways? Not at all… I refer to it as the Tip O’Neil Corollary, when speaking of politics, Speaker O’Neil once famously pointed out that “All politics are local”. And I believe that the same holds true with wine. It is local to somebody.

when I got a chance to try some wine from the “local” vineyards of the Clare Valley of Australia, I naturally jumped at the chance.

The wine is produced by Some Young Punks. Already, you know that I was enjoying this. Their name alone, indicates to me that while they love their wine, they don’t take themselves too seriously. The wine was the 2007 Passion Has Red Lips which was a Cabernet Sauvignon/Shiraz blend. I thought it was earthy, almost leathery. 1500 cases were produced. The artwork was taken from an old pulp fiction novel, Sin On Wheels.

I am hoping to find more of it soon.