Marguerite Barrett

Marguerite Barrett
Contributing Writer

Hardwick uses no oak, fermenting all their wines, including the reds, in stainless steel.   The result is a menu of lighter-bodied, crisper wines that are clean, refreshing and quite charming.

The menu kicks off with the

Giles E. Warner White Like all the Hardwick wines the Giles E. Warner is made from locally grown grapes, in this wine Seyval Blanc.   The color is a medium-straw that has a bit of sparkle when the light hits it, which happened often that afternoon as the bar is well positioned in front of a wall of large open windows which let in a lot of natural light that afternoon.   It was one of the few tasting rooms where I felt I the light was ample enough to allow me to get a true sense of the color of the wine.   But I digress; back to the wine.   The Giles E. Warner is the driest of all the Hardwick wines.   The nose is very subtle with just a hint of citrus.   In the mouth the wine is crisp with light notes of pink grapefruit.  The finish is very smooth and doesn’t linger on the palate.   This would pair well with seafood and lighter chicken dishes, or work well as a sipping wine on its own.

Yankee Boy White The second wine is a blend of Cayuga and Niagara grapes and the result is a smooth and somewhat sweeter wine than the Giles E. Warner.  The color is pale/medium yellow.  The nose is soft but not sweet with light floral notes and as a result I was not fully prepared for the fruitiness of the wine in the mouth.   The mouth feel is very smooth and silky.  The predominant notes are pear and a hint of sweet apple, although both are subtle and hit in the middle of the tongue, rather than at the front where I expected them.  Because of this the wine comes across as more complex than it might otherwise do so; it develops through the mouth, starting out very quietly in the front and opening up as it progresses.   Described in the tasting notes as being in a “riesling-style” this wine should appeal to many people and would pair well with a wide range of foods.

Yankee Girl Blush The first thing you notice about the Yankee Girl is the color, an absolutely gorgeous golden-orange.  Not honey, not deep gold, a true orange.  I think my first reaction when it was poured was “Wow!”   A blend of Seyval Blanc, Niagara and Pink Catawba grapes, this is a departure from what I normally think of as a “blush” in more ways than the color.   The nose is soft and fruity with notes of nectarine and strawberry.  In the mouth the wine is drier and crisper than I anticipated, given the color, the sweet fruitiness of the nose, and my general expectations of blush wines.  In the mouth the wine is lightly sweet with notes of strawberry and peach, but it also has a bit of a bite, particularly on the finish, with just a hint of citrus to balance out the sweetness in the front of the wine.   A charming wine, and I wasn’t at all surprised to hear this was one of Hardwick’s more popular wines.

Massets Cranberry One could also call the Massets Cranberry a blush wine – the color certainly is more what I anticipate from a blush wine with a lovely pinky-cranberry color.   A blend of 90% Seyval Blanc and 10% locally grown cranberries from a neighboring farm, the wine is crisp and lightly tart.  I personally found myself more charmed by this wine than the Yankee Girl Blush, I think because of the tartness – as much as I have a sweet tooth (and trust me, I do), I will always gravitate toward the savory and definitely prefer tart, more acidic flavors.    The cranberry provides a nice complement to the citrus of the Seyval; the sweet-tartness of the fruit softening the citrus acidity of the grape.  Described during the tasting as a nice Fall wine, there’s no doubt this would be a very nice complement to a Thanksgiving dinner.  However, I found myself thinking it would make a really interesting sangria, chilled on a warm summer afternoon.   Definitely worth a try…

Hardwick Red I was excited to see that Hardwick’s red was a Marechal Foch, a grape which regular readers of Vino Verve know is one I’ve grown to really like since I started on the New England win(e)ding roads.  Lighter-bodied than a number of the Marechal Fochs I’ve sampled across Connecticut, no doubt a result of the stainless steel fermentation, the wine is smoother and feels more “mature” than many of the other wines I’ve tried.  Marechal Foch tends to be very sharp and the resulting wine can come across as very young – in fact the first few times I tasted Marechal Foch that was impression – these were young wines that needed more aging to “soften the bite.”

The Hardwick Red, however, doesn’t have that “in your face punch.”  It still has a very dry finish with the tart bite on the end which is a hallmark of the grape, but the wine is smoother and feels more finished.  Fruit forward – another hallmark of the grape – the predominant notes are dark berry and plum, both of which are somewhat subdued so they tease the palate rather than overwhelming it.   You can probably tell from my description that I really liked this wine, and I think it will appeal to quite a few people.   Even if you’ve tried Marechal Foch wines elsewhere and haven’t been a fan, give Hardwick’s a try.

Quabbin Native The last of the six Hardwick wines, the Quabbin native is described as a dessert wine.  100% Pink Catawba, the color is a lovely pinky/peach rose color.  The nose is lightly sweet with soft raspberry notes.  In the mouth the wine is sweet and juicy, although not as sweet or satiny as the vidal dessert wines.  The sweet fruitiness of the wine is lightly floral in the front; I picked up hints of strawberry and melon but strawberry blossom rather than full-on strawberry.  The wine finishes with a slight bite and a hint of raspberry which balances the initial sweetness of the wine.   I’m told the wine also responds well to mulling, and I’ll definitely have to give a try come the holidays.

I found myself hard-pressed to choose which wines would come home with me – I’ve pretty much run out of room to store wine, so I either need to stop buying wine or throw a party.  I’m thinking the latter…  In the meantime, I limited myself to three bottles, the Giles E. Warner white, the Yankee Boy White and the Hardwick Red.

I also made a note to return in December when the restored, historic mansion is decked out for the holidays.

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Marguerite Barrett
Contributing Writer

The weather for my kickoff weekend exploring the wineries of Massachusetts couldn’t have been any more perfect along with my choice for the inaugural winery.

Hardwick Vineyard and Winery is located in the central portion of the state, an easy day trip from either Hartford or Boston.   The vineyards and winery are owned by the Samek family, who are only the fourth owners of the  Federal-Era mansion built in 1775 by Giles E. Warner, a prosperous Yankee farmer .  The house had never been modernized, i.e. no electricity or modern plumbing, and over the years the house had fallen into disrepair, and by the time the Samek’s bought it in the mid-1990s, the house required extensive restoration.

In 1998, they planted their first grapes and today grow 8 varieties of grapes on 7 acres, including Seyval Blanc, Niagara, Pink Catawba and Marechal Foch, which were the central grapes in the wines I tasted on Saturday.

Located just outside the town of Ware, the approach to Hardwick takes you along a long, gently curving country road, lined with a charming mix of older farmhouses and newer family homes.   And just when you think you’ve gone too far and have missed the winery, you come out of a long curve to find vineyards on your right and the house and winery in front of you.

For a first-timer like me, you don’t realize your initial view is of the side of the house, not the front.   When the Samek’s chose to restore the main house to it’s original condition without modernizing it, they also built an extension with electricity, modern plumbing and other amenities of 20th-century living.   Built in a style that mirrors that of the original house and featuring a barn-red “front” door that undoubtedly serves  as the home’s main entrance, it includes a full modern kitchen, living space, and additional bedrooms which the Samek’s have now opened up as a B&B.  The extension was carefully planned so that  from the exterior it flows seamlessly from the main house and feels very organic, as if it was always part of the house.  A large 5,000 square foot barn was built on the back of the extension (to the right of the house as you approach from the road) to house the winery and tasting room.   It wasn’t until much later in my visit that I realized the original house fronted the street, and I had, in fact, come up on the side.

The winery and tasting room is charming and inviting with plenty of room to accomodate large groups or events.   The three story building is built into the side of a slight incline, with the winery and barrel rooms on the “ground” floor sheltered from the sun, providing some natural temperature control.

There is ample parking out back, and a short walk up the dirt and gravel drive brings you to the main entrance which leads you into the second floor, a space set up for large parties or events.    The entrance to the newest addition to the winery, a large wooden deck which runs the entire length of the building, is off to your right, just past the stairs leading to the third floor tasting room.   The tasting room is a wonderful space, large windows along the front wall admit abundant sunshine into the open loft-style space.  A large L-shaped tasting bar occupies the space in front of the windows, and there is ample room to serve a good 15-20 people comfortably.   Across the room from the bar is a small media center with a TV/DVD set up so visitors can watch the HGTV Restoration America segment on the home’s restoration.  There’s plenty of space to spread out and mingle, and visitors are encouraged to linger and chat with their hosts or each other.

Hardwick currently produces six wines, two whites, two blushes, and two reds, one dry and one sweeter dessert wine.   All the wines feature locally grown grapes, although they do bring in grapes from the Finger Lakes region to supplement their crop.   Tours of the restored mansion, which used to be available year-round, are now limited to the December holiday period, but a corner of the Tasting Room has been set up so visitors can watch the HGTV’s Restore America’s segment on the restoration.   The video is fairly short – 8-10 minute max – and is fascinating.  Not only is the story compelling, but it’s fun to know you are sitting in a piece of history.  I strongly encourage you to make time to check out the video if and when you stop by the winery.

The winery is open from March – December, Fridays-Mondays.  Tastings are $5 and include all six wines as well as a logo glass.  Throughout the summer, the winery hosts live Jazz on the first Sunday of each month, and particularly with the new deck, the winery is a great place to just hang out, relax and enjoy a gorgeous summer afternoon.

On Father’s Day, June 19th, Hardwick will be hosting a tractor show from 10-5, with live music at 11:00 and 2:00.

Hardwick Vineyard & Winery
3305 Greenwich Road
Ware, Massachusetts 01082
413-967-7763
info@hardwickwinery.com
www.hardwickwinery.com

Coming Thursday: The Wines of Hardwick Vineyard & Winery

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Marguerite Barrett
Contributing Writer

In honor of the 41st Earth Day, the EPA has launched a new campaign, “Pick Five,” a “Do One Thing” on steroids if you will.   The campaign acknowledges that “environmental action can mean doing different things in different places,” but posits that if everyone commits to five things that they can do in their own locales, together we can make a huge impact on the environment.

We here at Vino Verve certainly agree, and we encourage everyone to consider making a Locapour commitment one of your “Pick Five.”

Local wineries and breweries exist in every state, and the trend is growing with new vineyards, wineries and breweries being established every day.  Many states’ tourism websites include lists of local wineries, and many now have established wine trails and local wine organizations that provide trail maps and links to the wineries’ websites.  And don’t assume there’s nothing close to you – when Gretchen and I first started down this “win(e)ding road,” we both naively assumed there would be at best a handful of wineries in our areas – and yet, we’ve found a treasure trove of great wine and charming wineries across New England and along the shores of Lake Michigan.

Locapour is a commitment, though.  For the casual, “I just pop into my local liquor or grocery store when I need something,” buyer, it can be difficult to become a Locapour.  Most local wineries don’t produce the volume necessary for distribution across major markets, and many liquor stores, particularly smaller ones, may not even have a local wine section.  But it never hurts to ask, and the more people ask for something the more likely the proprietor will be to try and provide it in the future.

Locapour also means stretching beyond your comfort zone.  You are not going to find big, bold California-style wines produced in most of the rest of the country.   Here in New England, for example, you’ll be hard pressed to find a local vineyard or winery that produces Cabernet Sauvignon – it’s just not a grape that knows how to appreciate long, cold winters.  But you’ll find quite a few local wineries producing Cabernet Franc – a charming cousin that produces rich, fruity reds that are eminently drinkable and not as heavy as the Sauvignon.  And for all of you out there who avoid reds altogether because you find them too heavy, too dry, too whatever, your local wines may change your mind, as many are fruitier and lighter than the “big” wines you find coming from the major wine regions.

As John Lennon once sang, “Turn off your mind, relax, and float downstream…”  Let go of preconceived ideas of what wine should taste like.  Forget that you “don’t like fruit wines” or that “red wine gives me a headache.”  Don’t assume local = amateur. And most importantly let go of the idea that to be great, or even good, a wine must be made from one of the commercially common grapes: cabernet sauvignon, merlot, syrah, zinfandel, chardonnay, pinot.

So, in honor of Earth Day, join us in making the Locapour commitment.  And to help you get started, below are weblinks to state wine associations or information on local wineries in your state.   Salut!

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Marguerite Barrett
Contributing Writer

Today is the 150th anniversary of the beginning of the American Civil War.  In South Carolina, the commemorations, like the war, kick off in the pre-dawn hours as Civil War re-enactors fire upon Fort Sumter.   Here in Connecticut (birthplace of both Harriet Beecher Stowe and John Brown), commemorations begin at 8:00 am with a ceremonial firing of cannons on the lawns of the state capitol.

Reading about the plans for four years worth of commemorations led me to wonder about the history of local wines in the 19th century.  An obvious question is whether or not (or to what extent) the war influenced wine production or consumption.

A quick internet search turned up not much – not surprising, I suppose.  Prohibition was such a game-changer for American wine production; it took decades to re-establish local wine cultures in many states.  As a result, when you go looking for information on the history of American wine, most of the stories begin in the late 60s or early 70s.

But there’s information out there in a handful of books and articles, and I found the charming “Civil War Wine Reviews” in Benito’s Wine Reviews.   There’s undoubtedly more to be found in local histories and historical societies, so as I gear up for the trip to Virginia this summer for the Wine Blogger’s Conference, what a better time to stretch my long-unused research muscles and start a new occasional series, “Wine and War.”

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Marguerite Barrett
Contributing Writer

One Down, 49 To Go!

We here at Vino Verve are all about exploration – finding and celebrating the wines and wineries all around us.  To that end, I’ve been slowly making my way across the Northeast, and with my recent trip to Diamond Hill Vineyards, Vino Verve can now lay claim to having visited all the wineries in a single state.   I’ve sampled some great wines along the way, met some interesting people, and learned a lot about local wine culture, terroir and winemakers.

There are still many many wineries left to explore and experience, but I thought it worth taking a pause to celebrate a milestone 3 years in the making!

So join us as we raise a glass to the wineries of the “Ocean State”!

Langworthy Farm Winery, Westerly

Newport Vineyards, Middletown

Sakonnet Vineyards, Little Compton

Greenvale Vineyards, Portsmouth

Diamond Hill Vineyards, Cumberland

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Marguerite Barrett
Contributing Writer

As I explore the vineyards and wineries of the Northeast, I’m finding I actually like fruit wines.  For years I, like so many of you, turned up my nose at fruit wines, thinking them too sweet, too thin, too whatever.   However, just as with grape wines, there are some very bad and some very good fruit wines out there.

On the afternoon I stopped by Diamond Hill (almost a month ago now…  apologies for the two week delay in getting this posted), there were three fruit wines available on the tasting menu.

Cranberry Apple First up was Diamond Hill’s most popular wine, the Cranberry Apple.  Made from New England grown fruit, including organically grown cranberries from Attleborough, Rhode Island.  A blend of 25% cranberry and 75% apple, the wine is delightfully sweet-tart.  The color is a delightful rosy-peach.  The nose has soft cranberry notes – not nearly as overpowering as I anticipated.  In the mouth the wine, as mentioned above, is charmingly sweet-tart with a lovely burst of cranberry on the tongue; the apple provides just enough sweetness to temper the tartness of the cranberry and keep the wine from being overpowering.  I really liked this wine and went home with two bottles.  It’s a great sipping wine, will pair well with poultry, and would make a bright, fun sangria as well.

Blueberry From the Cranberry Apple we moved on to the Blueberry.  Made with organically grown blueberries from Jonesport, Maine, the wine has strong notes of blueberry in both the nose and on the mouth, but is surprisingly light and clean.  Given the intensity of the blueberry, I half-expected the wine to be almost syrupy sweet, but it’s not.  There’s a very lightly bitter note at the end which balances the sweetness of the fruit and gives the wine a bit of character.   This is a very nice wine, although not as interesting as the Cranberry Apple to my mind.

Diamond Hill was sold out of their Blackberry and their Raspberry wines, so the last wine on the menu for the day was their Peach wine.  Diamond Hill crushes the whole fruit and the result is the sweetest of all their wines, one that I’d characterize as a dessert wine.  The nose is soft with notes of apricot as well as peach.  In the mouth, the wine is sweet, but not syrupy, with soft peach notes that linger on the palate, and a very light tartness on the palate.   Peach is not one of my favorite fruits or flavors, but this was one of the nicer peach wines I’ve sampled to date.

I left that day with six bottles under my arm, a list of wines to order for Gretchen and Kevin, and a Vino Verve milestone under my belt.  But more on that on Thursday…

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Marguerite Barrett
Contributing Writer

Diamond Hill produces 10 wines, five grape and five fruit, of which seven were available for tasting on Saturday.   The tasting moves from dry to sweet, which at Diamond Hill means we started with the Pinot Noir.

As I mentioned before I was quite surprised to find that they were able to successfully cultivate Pinot Noir vines, and truthfully I wasn’t expecting much.  Not that I expected it to be bad, but…

Pinot Noir 2005 Vintage It’s nice to be proved wrong once in a while.  This is a delightful wine.  The color is a lovely medium-garnet.  The nose is soft with lightly floral notes of cherry blossom.  In the mouth, the wine is soft and lightly fruity with subtle notes of cherry.  It wasn’t the stronger cherry notes I so often find in the cabernet francs, marechal fochs and st. croix wines across the Northeast – here the notes were more delicate; cherry blossom rather than cherry.  The wine is aged in French oak for one year which provides a delicate spiciness with just a hint of heat on the finish.   A really nice wine, and a really nice surprise to find in vineyards so far away from the tempering influence of the Sound.   Kudos to the Berntsons and Diamond Hill for producing a lovely New England Pinot Noir!

Scarlet Run A 100% Merlot wine made from Northeast  grapes, usually brought in from New York, Scarlet Run is not a typical Merlot.  This is a very fruit forward wine with, surprisingly, very discernible notes of strawberry.  I first picked up the strawberry in the nose – not overpowering, but very noticeable.  In the mouth, that first sip is quite a surprise.  Used to denser Merlots with flavors ranging from earthy to darker fruits, I was almost taken aback by the brightness and fruitiness of this wine.  But don’t confuse that with not liking it – I found the wine quite charming and immediately noted it down as a wine that would be going home with me that afternoon.  It’s just not what one expects from a Merlot.

Aged in stainless steel, the wine has a lovely smooth, rich finish, with very light tannins.  Interestingly I didn’t find myself missing the oaking, which I often do in red wines.  With the Scarlet Run, I found I really appreciated the clean finish.  This will pair will a wide variety of foods, particularly beef or lamb.

Steve also pointed out the label, which features a red greyhound silhouette on a black background, and is quite different from Diamond Hill’s other labels.  4 or 5 years ago, the Berntsons adopted a greyhound and now support the Twin River Greyound Adoption society by donating a portion of the proceeds from the sale of Scarlet Run.   If you do visit the winery, there’s a framed plaque in the room just off the tasting room which features a picture of the Berntson’s dog as well as the story of how they came to adopt her and associate Scarlet Run with greyhound adoption.

Pinot Noir Rosé This is a relatively recent addition to the Diamond Hill line-up.  In 2008, Allan Berntson, Diamond Hill’s winemaker, did a quick crush press of some of estate-grown Pinot Noir grape and produced the first vintage of the Rosé.   The result is a light semi-dry wine with lightly floral notes and a soft, clean finish.  I found the wine to be a bit light for my taste, but it will appeal to many.   The color is very interesting.  When first poured into the glass, it appeared to be a medium-gold color, however, when I held it up over the white counter, I started to see hints of pink, and found the color shifted back and forth between pink and gold depending on how you were holding the glass and how the wine was catching the light.  The nose has lovely floral notes, and in the mouth the wine is very lightly fruity – more fruit blossom than true fruit, I would say.  The wine is unoaked, and has a soft, clean finish with almost no tannins.

River Valley White A blend of Chardonnay and French Colombard, the River Valley White is a semi-dry table wine with lovely notes of buttery apricot.  The color falls in the medium-yellow range, slightly on the lighter side.  The nose is very soft with discreet notes of peach or peach blossom.   Like all of Diamond Hill’s other wines, with the exception of the Pinot Noir, the River Valley White is unoaked, and the result is a clean, crisp wine.  I picked up just a hint of cream along with notes of apricot and a light acid on the finish which balanced the fruit notes and kept the wine from coming across as overly sweet.   This wine will pair well with chicken or pork and would also be very nice on it’s own as an aperitif.

It was just about this point that two other visitors arrived for a tasting of the Pinot and the Merlot.  I used the distraction as an opportunity to take a quick break, looking around the tasting room and gift shop and giving my palate a brief rest before proceeding with the fruit wines.

Look for the Diamond Hill fruit wines on Tuesday, March 15th.

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Marguerite Barrett
Contributing Writer

Winter 2011 has been a rough one here in the Northeast. Connecticut, where I live, received 2-3 times our normal snowfall; at one point most of it was piled up in my front yard. So when the weather forecast called for temperatures in the 50s on Saturday, I decided it was time to come out of hibernation and hit the wine trail again. I didn’t even care that the forecast also called for cloudy with the possibility of rain – the chance to get out of the house and hit the open road was too good to pass up.

So Saturday afternoon found me heading east to Cumberland, Rhode Island, just outside Providence, and the Diamond Hill Vineyards. Established in 1976 by Peter & Claire Berntson, Diamond Hill is now a second-generation winery run by the Berntson’s daughter, Chantelle, and son-in-law Stephen Rogers, and their son, Allan Berntson, who is also Diamond Hill’s winemaker.

Earlier in their lives the Berntson’s had lived for a few years in France and decided that one day they would own their own vineyards and winery. In 1976 they realized this dream when they planted their first vines, Pinot Noir, in Cumberland, Rhode Island. Yes, you read that correctly – Pinot Noir – a bold move considering the Northeast climate is not generally conducive to vinifera such as Pinot Noir, and the northern-Rhode Island location also precludes any climate-moderating benefits gained from proximity to the Sound.

But the Berntsons perservered. They replanted many of their vines in 1981, and keep them low to the ground to help the vines survive the cold New England winters. The vines have thrived, and today their estate-grown Pinot Noir wines are made from those 30-year old vines.

The Berntsons have also created a charming and welcoming tasting room. Set back from the main road, at the end of a winding dirt road, the tasting room is located in an old farmhouse. The front of the house faces a grassy field beyond which lie the vineyards. The porch runs the length of the house and the Berntsons have set up clusters of bistro tables and chairs. Despite the 50+ degrees on Saturday, the air was still a bit too raw for sitting outside, but I made a mental note to bring Cheryl, Deb and Jean back with me in the Spring – that porch will be a great place to enjoy a picnic lunch, a glass or bottle of wine, and a weekend afternoon.

Inside, the Berntsons have kept the original footprint and much of the charm of the original house. To the left as you enter is a small parlor set out with tables and chairs for guests who wish to linger indoors. To the right is lies the Tasting room. Both of the rooms have a welcoming, cozy feel to them. The ceilings and floors are wood, and the original moldings and fireplace appear to be intact. The decor has an eclectic, lived-in feel which adds to the warmth and coziness.

Tastings are served at the small bar in the back of the main room. This is not a winery that is set up for large crowds; at most you could get 4-5 comfortably at the bar, and that would be a tight fit. Stephen Rogers, my host that afternoon, mentioned that there were a few weekends last year when it was so crowded people were lined up outside the door waiting for tastings. Most weekends, however, the crowds do not get that bad. While no winery – or winemaker – would ever bemoan the extra business, the Berntsons and Rogers, like many local winemakers, get the most enjoyment out of sharing their wines, having the chance to chat with people and the time to enjoy the sense of community they are building. Truthfully, it’s what I enjoy most about my win(e)ding road adventures as well. On Saturday, in addition to meeting Steve, who was tending bar that afternoon, I also had a chance to meet his wife, Chantelle, as well as one of the winery’s original owners, Claire Berntson. It was clear that they all love what they do, and they love the chance to relax and chat with their guests – it made for a great afternoon.

Diamond Hill offers free tastings of all of their wines, and glasses of wine average $5/$6, although the Pinot Noir will be slightly more expensive. They produce 10 wine, five grape and five fruit wines, ranging from dry table wines to sweet dessert wines. 3 of the wines are currently sold out, but I had the opportunity of tasting the other 7, including Diamond Hill’s estate-grown, Pinot Noir. More to come on that on Thursday, but I can tell you it was lovely and definitely worth the $25 price tag / bottle. I brought a bottle home with me this trip, and will definitely be heading back for more later in the Spring.

Diamond Hill is open year-round, Thursday-Sunday noon-5pm.  In addition to their wines, Diamond Hill also specializes  in custom and personalized wine labels.  They will ship wines to many states, and if you aren’t able to stop by, you can order wines directly from their website.   While all their wines are good, I highly recommend the estate-grown Pinot Noir.

Diamond Hill Vineyards
3145 Diamond Hill Road
Cumberland, Rhode Island 02864
401-333-2751 or 1-800-752-2505
email: favorpro@favorlabel.com
website: http://www.favorlabel.com/wedding_favors/Winery.php

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Marguerite Barrett
Contributing Writer

Picking up where I left off on Tuesday…

Like any good tasting menu or flight, the Bordeaux seminar progressed along a crescendo of increasing complexity and robustness.  Unlike traditional tasting menus where the progression typically follows a change in grape, Merlot remained the primary grape through 10 of the 12 reds.  The grapes that the winemakers blended with the Merlot differed; the first half of the seminar featured primary Merlot/Cabernet Sauvignon Blends.  By the second half, the wines were also including Petit Verdot and Cabernet Franc.  To my mind, it wound up being a more interesting seminar because of this, providing an opportunity to experience the range and depth of Merlot.

Château Coutet 2009.  AOC St. Emilion Grand Cru.  60% Merlot, 26% Cabernet Franc, 6% Cabernet Sauvignon, 8% Malbec.  This, as Jean-Christophe Calvet was quick to point out, was very much a sneak preview as the wine won’t be available until September.  Calvet encouraged us to approach it as a barrel tasting. The nose is subtle with deep rich notes of cherry.  In the mouth, the wine is not as robust as the previous wine, although I suspect that additional aging will bring out some additional depth.  The wine is nicely fruity with light tannins on the finish.  The finish lingers, but I found it to be a bit chalky.  The wine shows a lot of promise, and I’ll be interested to see how it turns out once it’s released.  Scheduled for release in September, this wine will likely retail for $26-$28/bottle.

Château Picque Caillou 2009.  AOC Pessac Leognan.  45% Merlot, 45% Cabernet Sauvignon, 10% Cabernet Franc.  Another 3-star wine in my tasting notes, and one of my top three wines of the seminar.  The nose is rich and deep, but quite discreet with notes of  soil and dark cherry.   The nose hides, and you have to breathe deep to really pick it up, but to my mind that made it all the more interesting.  In the mouth the wine has a silky, smooth mouth feel.  There are hints of spice on the front of the wine, which then opens up to stronger notes of earth and dark berries (definitely blackberry).  The finish lingers for well over a minute, providing an overall satisfying experience.  This wine will be bottled in May and will retail for $25-$35/bottle.

Château L’Argenteyre 2009.  AOC Médoc Cru Bourgeois.  35% Merlot, 45% Cabernet Sauvignon, 20% Petit Verdot.  This wine was an interesting contrast to the previous wine.  Where I found myself using words such as “rich” and “deep” with regards to the previous wine, here the adjectives that predominate my notes are “fresh” and “lively.”  The nose is loamy with subtle notes of dark stone fruits, perhaps plum?  In the mouth the notes of loamy earth are strong, but balanced with bright notes of cherry.  The finish has light notes of pepper which provide a nice balance to the brightness in the front.  This wine will be released in April and will retail for $16-$18/bottle.

Château Trois Moulins 2009.  AOC Haut Médoc Cru Bourgeois.  50% Merlot, 30% Cabernet Sauvignon, 18% Cabernet Franc and 2% Petit Verdot.  According to Calvet, this is regarded as the best wine produced in the history of the vineyeard.  It’s a lovely wine with a soft fruity nose with notes of black currant.  In the mouth the wine is rich and fruity with notes of black currant and blackberry.  The mouth feel is soft and silky and light tannins give it a nice balance and a beautiful finish.  I really liked this wine, and it definitely made it into my top five of the seminar.  Available now, the wine retails for $20-$22/bottle.

Château Mongravey 2009.  AOC Margaux Cru Bourgeois.  70% Cabernet Sauvignon, 30% Merlot.  With the last two reds, the primary grape shifted to Cabernet Sauvignon.  Another sneak preview tasting, Calvet described this wine as being in the “feminine style of the Medoc.”  I have no idea what “feminine style” means with regards to wine – perhaps it’s lighter, more delicate?  A quick Google search turned up several references to “feminine style” but no real explanations.  Now I’m intrigued, so the research will continue and hopefully become a post here on Vino Verve at a later point.  And if any of you know, please leave me a comment here or send me an email at marguerite@vinoverve.com

But, today is about the wine, not my research.  Another one of my top five, this one has two stars in my tasting notes, the wine is very fruit-forward with lip-licking notes of lush, ripe berries that develops in the mouth to interesting notes of licorice at the end.  The wine is very well balanced with a velvety mouth feel, and quite delicate, surprisingly so given it’s predominately Cabernet Sauvignon, which in my experience generally produces heavier wines.  This wine will be bottled in April and May and is definitely on the list of wines to add to the cellar.  When it is released, it should retail for $30-$40/bottle.

Château Fonbadet 2009.  AOC Pauillac.  70% Cabernet Sauvignon, 20% Merlot, 10% Petit Verdot and Malbec.  Hands down my favorite wine of the seminar – four stars in my tasting notes!  The nose is subtle and discreet with notes of loamy earth and black currants.  In the mouth, the word that first came to mind was gorgeous.  Rich and silky with lush notes of black currant and earth.  Described by the winemaker Eric Boissenet as cassis-style, this wine will cellar for years.  The most expensive of the wines presented that day at $40-$50/bottle, it is definitely worth picking up as many bottles as you can afford.

Château Bel Air 2009.  AOC Sainte Croix du Mont.  100% Semillon.  The seminar concluded with a lone dessert wine.  Medium-gold in color the nose is rich and lightly sweet with strong notes of honey and honeysuckle.  In the mouth the wine is soft and sweet, but not as strongly sweet as many dessert wines, and lightly floral with lovely notes of honey.   A very nice finish to an excellent – and quite extensive – seminar.  The wine is available now and retails for $12-$15/bottle.

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Marguerite Barrett
Contributing Writer

The Boston Wine Expo seems to have become my venue for exploring French wines.  Last year it was the 2007 Chateuneuf-de-Papes, and this year the Terroir of Burgundy and the 2009 Bordeaux.

2009 was a record year for Bordeaux, hence the seminar title, “2009 Bordeaux – A Record Setting Vintage.”  The weather produced near perfect conditions that year: sunny days and cool, dry nights, a warm and relatively dry July and August followed by rains at the end of the summer produced grapes that have all the hallmarks of the greatest vintages.

The seminar was led by Jean-Christophe Calvet, President of the Aquitaine Wine Company.  Jean-Christophe Calvet is a sixth-generation wine merchant, and Aquitaine Wine Company can trace its roots back to the 18th century.  Today the firm distributes in 47 states and focuses exclusively on the wines from the Bordeaux region.  In addition to the “Classified Growths,” the superstars of Bordeaux which command the highest prices and the greatest prestige, Aquitaine Wine Company also features the “Discovery Wines,” or as they refer to them on their website, the “challengers.”  Aquitaine has formed partnerships with more than a 100 families who produce quality wines at more affordable prices.  For this seminar, Calvet selected 14 Discovery Wines, the most expensive of which was only in the $40-$50 range (as compared to $1200-$1500 for the Classified Growths); most fell in the $10-$20 range.

Château La Freynelle 2009, AOC Bordeaux Blanc.  50% Sauvignon Blanc, 50% Semillon.  This was the only white table wine of the 14 wines presented that day.  A lovely light yellow color which sparkled among the denser reds of the other glasses, the wine had a floral, lightly fruity nose with soft notes of honeysuckle and lemon.  In the mouth the light citrus notes continue, with the sauvignon blanc providing notes of grapefruit so common to the grape, and the semillon bringing a touch of honey sweetness to balance the citrus.  The wine opens up in the mouth, with the grapefruit building slightly to a sweet/tart finish.   This wine is available now and retails around $12.99/bottle.

Château La Freynelle 2009, AOC Bordeaux Rouge.  65% Merlot, 35% Cabernet Sauvignon.  The color was a medium garnet.  The nose quite subtle.  In the mouth however, the wine was quite fruity with lovely notes of berries and plum.  Medium-bodied, the wine felt a bit young, and while nice, I would definitely cellar it for a few years to see how it develops.  Available in March, the wine should retail for $12-$14/bottle.

Château Mylord 2009, AOC Bordeaux Rouge.  70% Merlot, 30% Cabernet Sauvignon.  This is a very drinkable, very nice wine.  Medium garnet color with a bright, very cherry nose.  In the mouth, the wine is fruit-forward with strong notes of cherry and soft tannins on the finish.  Aged in stainless steel, the wine has a clean, smooth mouth feel that is quite charming.  The wine is definitely a “drink now” wine, but should also age well for another few years.  Also available in March, the wine will retail for $12.99/bottle.

Costes du Château Feret Lambert 2009, AOC Bordeaux Supérieur.  90% Merlot, 10% Cabernet.  From St. Emilion, “Kingdom of the Merlot,” according to Calvet, as it was one of the first areas to cultivate Merlot grapes.  The region’s wine history dates back to the Romans in the 2nd century (Source: Wikipedia).   While predominately a Merlot, th ewinemakers add the 10% Cabernet Sauvignon to provide acidity to the wine.  A darker, yet still medium garnet color, the nose is earthy and quite subtle.  It was a distinct difference from the first three wines which had much stronger fruit and floral notes.  In the mouth, the wine has strong notes of damp earth, some light notes of blackberry and plum, and a lightly spicy finish.  The wine is available now and retails for $10-$14/bottle.

Château Haut Colombier 2009, AOC Premières Côtes de Blaye.  90% Merlot, 10% Malbec.  One of my early favorites, this is a really nice wine.  The nose has rich notes of black cherry and currants, notes which carry over onto the palate as well.  The wine has charmingly sweet notes of fruit with a nice pepper finish.  This will drink well now and also should cellar well, and I made a note to buy several bottles, some for now and some to age for a few years.  The wine was released in January and retails for $10.99/bottle.

Château Roland La Garde 2009, AOC Premières Côtes de Blaye.  67% Merlot, 33% Cabernet Sauvignon.  Another favorite – I have the word “gorgeous” circled next to my tasting notes – this is another lovely, very drinkable now wine.  The color is a ruby-garnet, and the nose is earthy with lovely notes of cherry.  In the mouth the wine is supple, rich and surprisingly robust with notes of black cherry and light notes of spice on the finish.   The tannins give the wine a nice bite of acid on the finish which gives the wine a bit of a kick that balances the velvety smoothness of the mouthfeel.  Calvet recommends bottle aging this wine an additional 3-5 years, although it is quite lovely now.  Available today and retailing for $13-$15/bottle, this is a wine that I will definitely add to the cellar.

Château Saint Andre Corbin 2009, AOC St Georges St. Emilion.  75% Merlot, 25% Cabernet Franc.  Another favorite – this time I have three stars next to my notes, as well as notes to buy a case!  The nose is deep and rich with lovely notes of cherry.  In the mouth the wine is rich and velvety with soft tannins and rich, complex, but not sweet notes of cherry and dark berries.  The finish is soft and lingering.  The wine is produced by one of the oldest estates in Bordeaux, dating back to the 4th century.   Calvet recommends cellaring this wine for an additional 5-6 years.  The wine will be released in May 2011 and should retail for $20-$28/bottle.  Definitely one of the pricier of the wines featured this afternoon, but it is worth it.  I’m already making plans to order a half-case, if not a full case for myself.

Coming Thursday, 2.24 – the second half of the seminar wine list.

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