Marguerite Barrett
Contributing Writer

The word that first comes to mind when thinking about Palaia Winery is eclectic.  There’s a kind of haphazard charm to the place that speaks more to the layering of generations of family and interests, than to deliberate design.  In the front yard, classical statuary shares garden space with flags, flowers, and a whimsical stone statue of a pig in cap and waistcoat (my personal favorite).  A variety of signs dot the drive and gardens, directing folks to the tasting room entrance and admonishing them not to make off with the glasses.

The eclecticism continues in a charming and spacious tasting room encompassing the second floor of an old barn renovated and converted into the winery.  The renovation looks to have kept the barn’s original wood walls and timbered ceilings and finished off the space into a cozy, if somewhat cluttered room.  Pictures and posters line the walls, and varied keepsakes, gifts and the knick-knacks of an interesting and slightly bohemian life can be found in all corners of the room.  This is an obviously well-loved and fun space.

As mentioned above, the Tasting Room is on the second floor; the entrance leads directly into a stairway that brings you up along the back of the bar and into the main room.  The bar extends the length of two walls in a curved L-shape, and there are several bistro tables and chairs scattered throughout the middle of the room for guests who wish to linger.  A screen door at the end of the bar leads to a large porch with additional tables and chairs, and Palaia often has live musical guests on weeknights and weekends who entertain the crowds on the patio.  There is also a large open air stage next to the vineyards behind the winery where Palaia hosts stage plays and larger performances.  Guests are obviously encouraged to purchase wine to enjoy with the show, hence the plea to return the glasses.

In addition to music and theatre, Palaia also sponsors a Lucy-Look-Alike Contest, inviting contestants to dress up like Lucille Ball and participate in a re-enactment of the legendary I Love Lucy episode in which Lucy and Ethel try their hand, er… feet, in grape stomping.  The winner receives a case of Palaia wine, and looking at the pictures on the wall behind the bar as well as on the website, it’s obvious this is a very popular and highly entertaining event.  For those interested in stopping by, or entering the contest, the next “Great Lucy Look-Alike Grape Stomp” is scheduled for September 25th.

Dating back to the 18th century, the farm was originally part of a larger farm once owned by Aaron Burr.  Today, Palaia has 10 acres of grapes and plans for more in the future.  They planted their first vines in 2001, producing their first vintage in 2005.  In 2002, they received a $15,000 grant from the State of New York to restore the barn, and after 4 years of painstaking work, opened the winery in 2006.

Palaia (pronouced pa-LIE-a) produces 14 wines: 3 whites, 2 white blends, 5 reds, 2 red blends, and 2 specialty wines, one of which is a mead.  Now that’s not something you find in most wineries.  Their tasting menu includes more than 20 of their vintages; a tasting is complimentary and includes your choice of any five of the available wines.  Tough to choose only five, but there was no way I was passing on the Mead.

Palaia is open seven days a week: Thursday, Friday and Saturday 12:00 pm – 10:00 pm; Sunday, Monday, Tuesday and Wednesday 12:00 pm – 6:00 pm.  They feature live music Thursday through Sunday, unless they are hosting performances on the “main stage.”  All ages are welcome for outside events, but you must be 21 to enter the Tasting Room.  You can find a schedule of upcoming events on their website.

Palaia Vineyards
20 Sweet Clover Road
Highland Mills, NY 10930
845-928-5384
winemaker@palaiavineyards.com
www.palaiavineyards.com

Coming Tuesday, September 7th, The Wines of Palaia Vineyards

Powered by Bookmarkify™

Marguerite Barrett
Contributing Writer

There were a couple surprises awaiting me during my tasting.   I opted for the Varietal Tasting, no surprise to regular readers of Vino Verve, I’m sure, as I’ve made no secret for my definite preference for drier wines.  I also will tend to select wines from local grapes before those with imported grapes, or even imported wines.  The Varietal Tasting menu included 6 wines, and our host threw in an additional seventh wine, the Merlot, because it’s so frequently requested.

The first surprise was waiting for me as I approached the tasting bar, small plastic 1oz cups.  Wine glasses were arranged at the end of the bar, but those were for people who had purchased the tour & tasting glass package.  If you just purchase the tasting, it’s served in small tasting cups.  I’ll admit, it’s practical; given the number of people they must get through there on any given day, trying to track glasses, no less wash them, would be a daunting task.  Still, I wasn’t expecting plastic.  Once the momentary flash of surprise passed, I was fine, but I know a number of people who are very particular about their wine vessels, so I warn you now – if you visit Brotherhood, order the Tasting, Tour & Glass package for $10 if you want to avoid the plastic.

The second surprise came immediately on the heels of the first, as my host for the tasting poured a sample of the Blanc de Blancs Champagne. It’s unusual to find a winery willing to include their sparkling wines on a tasting menu, and very welcome when I do find it.  The Blanc de Blancs is a 100% estate grown wine made from Chardonnay grapes grown in Brotherhood’s vineyards in Hudson, New York.  A Brut-style champagne, the wine is very dry with a nice acid bite to the finish.  There’s a pale hint of fruit in the mouth, perhaps peach, although it was tough to define from just a 1oz sip.  Overall, a nicely balanced sparkling wine which would pair well with sharp cheeses, lobster and other seafood.

First of the tables wines was the Chardonnay.  Made from wines grown in New York state, but not all estate-grown, the Chardonnay is a very nice wine with a soft nose with subtle notes of pear.  In the mouth the wine is very smooth, particularly on the front, with notes of pear and cream.  Medium-bodied, with light acid on the finish, and not heavily oaked, the wine is satisfying in the mouth.  For my palate, this wasn’t crisp enough to be a good “summer sipping wine,” but it  would pair well with lighter foods such as chicken or seafood.

The whites concluded with a back-to-back pairing of a dry and semi-dry Riesling.  The Dry Riesling is a fairly new addition to the Brotherhood lineup.  Light and delicate, the wine has a subtle nose, lightly floral with hints of pear.  In the mouth the wine is crisp yet smooth with notes of pear on the front that provide a softness to balance the acid on the finish.  There are also light grapefruit notes providing a slight tanginess that work well with the softer sweetness of the pear.  This will pair very well with food, and even non-Riesling fans should like it.

The Semi-Dry Riesling is more of a traditional Riesling.  Overall the wine is softer and sweeter with less acid on the finish.  The pear notes are stronger, both in the nose and on the palate, and the tangy grapefruit is much more subdued.   This would be a good sipping wine, and it also would pair well with a wide variety of foods, particularly spicy foods such as Thai or Indian.  I could definitely see pairing this with a really good Indian curry.    It’s also a wine of distinction, having been chosen by President Bill Clinton as the wine to represent New York state in the White House wine cellars during his administration.

The final two wines in the Varietal Tasting are both reds, the Pinot Noir and the Cabernet Sauvignon.  However, as our host informed us many people ask, “but what about Merlot?”  So, he started adding in the Merlot as part of the tasting to round out the reds section of the menu.

Pinot Noir With a dusky, slight jammy nose with notes of dark berries, and cherry, the Pinot was an interesting contrast to the subtler, slightly more floral noses of the whites.  Medium-bodied, the wine has lovely notes of blackberry and dark berries along with an earthiness that keeps it from being overly fruity.  There were also notes of leather and a light pepper finish that provided some heat.   According to our host, the wine ages well for another five years, and I found myself really interested in seeing how it ages.   It’s not a bad wine right now, and I imagine it will really open up and become even more interesting when paired with food, but I found myself more intrigued than captivated by it, intrigued enough to purchase a bottle that I’m going to cellar for a few years and see how it fares.

I tried that once with a couple bottles I had picked up on a trip to Napa.  Kevin, Gretchen and our friends Richard and Charles were also on that trip (it was Richard’s 40th-birthday celebration), and despite our all buying prodigious quantities of wine throughout the trip, there was one winery that everyone but me passed on the purchasing.  I remember Kevin looking at me and asking “why did you bother, they weren’t great?”  And I replied “because I want to see what they’ll be like in a few years.”  I was a true wine neophyte then, and this was a real leap of faith for me, as I didn’t have any experience on which to base my hunch that they could be really interesting.  But my hunch paid off!  I opened them about 4 years later and found them to be rich, velvety, and quite lovely – and the hit of the backyard barbecue I was hosting that evening.  Unfortunately Kevin wasn’t there that evening, so I couldn’t pour him an “I told you so” glass.  Here’s hoping the hunch pays off again.

After the Pinot Noir, we moved on to the “bonus tasting, Brotherhood’s Merlot.  A more full-bodied wine, this is one of the better Merlots I’ve found in the Northeast.  As our host described it, “it goes in smooth; it finishes smooth.”  Made from Long Island grapes, the nose is very strong and jammy with notes of plum and cherry.  In the mouth, the wine is smooth with nice tannins.  Plummy and rich in the mouth, the oaking is not as strong as in the Pinot, providing a light smokiness rather than the stronger leather I found in the Pinot.  Overall a nice wine, and Merlot fans should find this interesting.  As for me, I was still more intrigued by the Pinot.

And last, but never least, the Cabernet Sauvignon.  Like the Merlot, the Cabernet Sauvignon is produced from Long Island grapes.  Made more in a Bordeaux style, rather than the hearty, robust California style, those who prefer California Cabs may be slightly disappointed.  As for me, I found the wine surprisingly interesting, particularly given that I don’t have high expectations of Northeastern Cabernet Sauvignons.  The nose is rich, deep and dark, with notes of plum similar to the Merlot, but less jammy.  In the mouth, the wine starts out with a kick, a light peppery heat on the front which provides a bite which then later smooths out to a plummy finish.  There are subtle notes of leather from the oaking, and the opens up nicely in the mouth.

I went home that afternoon with a bottle of the Dry Riesling for the near future, a bottle of the Pinot Noir to cellar for a few years, and a mental note to come back to sample the Traditional Flight – and the winery tour.

Powered by Bookmarkify™

Marguerite Barrett
Contributing Writer

Whenever I hit the wine trail, I head out armed with my trusty GPS, a list of wineries, and a cooler with ice packs for the wine I know I’ll be bringing home.   I try to be judicious, don’t want to bankrupt my retirement after all, but there’s only so much you can tell about a wine from a 1oz sip – particularly when it’s tasted in the midst of a number of other 1oz sips that day.  So whenver I find a wine that catches my attention – sometimes it wows me, sometimes I can see potential, and sometimes it’s just different enough from anything else I’ve ever tried – I take a bottle home.  This provides the opportunity to sample the wine in larger portions, pair it with food, and see how it stands up after a day (unless I have guests, it’s usually 2-3 days per bottle of wine).

And though this has been my practice since I started on the wine trail, I’ve never bothered to put my new impressions to paper.  Hence the launch of a new occasional series, “Spending Time With…”, follow-up posts on my impressions of a wine after spending some time with it.  Keeping with the theme and focus of Vino Verve, these will primarily be “local” wines, wines I’ve picked up on my various travels.  That’s not to say that there might not be the occasional post about a wine I picked up in a package store, but here at Vino Verve we like to focus on celebrating local wines, rather than just a running commentary of “what I drank last night.”

I launch the series with Jerram Winery’s Marechal Foch.

I’ve had this bottle about 18 months, having picked it up during my first visit to Jerram just after Christmas 2008.  At the time I was still a newcomer to the  Marechal Foch grape and  wasn’t really sure I was a fan, finding the grape often tart and the wines “young.”  My prior encounters had not left me with an overall great impression of the grape.  However, Jerram’s Marechal Foch caught my attention; it felt more complex than some of the other wines I’d tried, and the cherry notes, while still bright and slightly sour, seemed to make more sense in Jerram’s wine than they had in previous Marechal Foch wines I had tried.  I remember liking all of Jerram’s wines and actually going home with a bottle of each, but the Marechal Foch was one that stood out for me that day.

18 months later, I continue to be impressed.  The wine held up well, smoothing out just a bit.  The fruit notes are a bit stronger than I had noted during my original tasting, but they’re richer as well.  The nose is dusky and earthy and there’s very little hint of the tangy cherry I found in the mouth.  The wine starts out dry and slightly earthy, dusty almost, and then opens up into the bright notes of slightly sour cherries that are so characteristic of Marechal Foch.  The finish is definitely smoother than my first tasting, mellower – the cherry tartness hits the roof of your mouth towards the front, and then the wine mellows as it moves back through the mouth.

I let the wine breathe for about 15 minutes before pouring the first glass, which I had on it’s own.  I then paired a second glass with a grilled steak and beefsteak tomato salad.  The wine held it’s own against the steak, but I don’t know that it was the right pairing, neither seemed to add anything to the other.

I finished the bottle on the second evening, when I paired it with a Greek casserole dish made of beef sauteed in onions, garlic, tomatoes, oregeno and basil pasta, and feta cheese.  The heartier, spicier food was a much better pairing – the cherry notes in the wine became more juicy, and while there’s still that sour tart “bite” that is one of the grape’s hallmarks, it worked really well against the salty brine of the feta cheese.

Overall, a strong Marechal Foch, one I’ll definitely be adding back to my “cellar.”

Jerram Winery is located in New Hartford, Connecticut.  They are open Thursdays through Sundays, 11:00 – 5:00 from May 1st to December 31st.  Their website has a list of locations that sell Jerram’s wines, all local to Central Connecticut.  You may also want to contact the winery to see if they will ship directly.

Powered by Bookmarkify™

Marguerite Barrett
Contributing Writer

I was really quite excited to be heading over to Brotherhood Winery in Washingtonville, New York.   I’m fascinated by history, and that I was within an easy 2 hour drive of America’s oldest winery was too good an opportunity to pass up.  So I popped the coordinates for Brotherhood and three other Hudson Valley winery into the GPS and headed out for a fairly long day on the Win(e)ding Roads.

The winery was originally started by Frenchman Jean Jacques in 1810.  In the late 1820s/early 1830s, he moved to the current location and began digging wine cellars.  He went into partnership with the Emerson family and together they decided on the name “Brotherhood” to honor the partnership.  The Emersons, who counted among their ranks American author and transcendentalist, Ralph Waldo Emerson, were wealthy, well-connected vintners and distributors from New York with ties to Washington, D.C.   The partnership they formed with Jean Jacques proved to be of great benefit to the winery, resulting in a number of “firsts” for American wineries:  Brotherhood was the first winery to install a telegraph, and in fact the first telegraph transmission in the United States took place between New York City and Brotherhood Winery.  They were also the first winery to install steam generators, and used them to power, among other things, the first elevator used in an American winery.  The elevator was used to haul the grapes and wine into the two-story pressing and storage house built in 1860 and still part of the winery today.

After World War I, when most wineries in the United States were driven out of business due to Prohibition, Brotherhood remained open by converting their operation to the production of altar wine.  Originally they produced small amounts of altar wine for local area Episcopalian churches, but with the advent of Prohibition, they expanded their operations, supplying Roman Catholic and Russian Orthodox churches among others.  In addition to keeping their own winery operating through Prohibition, Brotherhood was also able to keep a number of California vineyards in business supplying the grapes needed to produce the altar wines.   Today Brotherhood continues the tradition and a small percentage of their wine production remains altar wines.

Shortly after my arrival, I had the pleasure of meeting, albeit briefly, owner and winemaker, Cesar Baeza.  Baeza has been Brotherhood’s winemaker since 1987, and approximately 5 years ago, took on two additional partners, South American winemakers, the Chadwick and Castro familes.  Baeza, a charming and gracious man, continues to oversee Brotherhood’s wines, and is obviously a frequent visitor to the Tasting Room, greeting customers and stopping to chat and share stories about the rich history of the winery.

Until recently, Brotherhood did not own their own vineyards, instead establishing partnerships with vineyards throughout New York, particularly in the Finger Lakes and Long Island regions.  A few years ago, however, Brotherhood obtained 80 acres a bit further north in Hudson, New York and now grow Riesling, Pinot Noir and Chardonnay grapes themselves, and continue to maintain partnerships with other vineyards throughout New York for the other grapes Baeza uses in his wines.

The Tasting Room is part of a larger complex that makes up the winery, both historical and modern.  Across from the Tasting Room, the original winery building is now home to the Vinum Café, which features a 140-seat restaurant, a café, a tapas bar and an outside patio.   Next door to the Café is the gift shop, which sits across from the 1860s-era pressing house.

The Tasting Room also dates to the 1860s and, like most of the other buildings in the complex has a stone exterior.  Inside, the room is one of the largest Tasting Room spaces I’ve encountered outside of Napa/Sonoma and utilizes the entire space.  The interior has the look and feel of a luxurious wine cellar: dimly lit and cool, with stone floors and walls lined with wine racks.  The wines are organized by category: whites, reds, international, etc. and free-standing wine rack kiosks supplement the wine storage available on the walls.  Spaced throughout the length of the room are a series of 6 bar areas, four of which are devoted to tastings.  Each bar could hold 12-15 people comfortably, and signs overheard as well as the very helpful staff direct people throughout the room.  When you purchase your ticket for the tasting, you are directed to a specific wine tasting bar, thus allowing for better crowd control and, I imagine, allows them to better manage the type of tastings served at each station.

Brotherhood offers you a choice of three flights:  The Traditional Flight, a selection of specialty and table wines that tend towards the semi-sweet and sweet; the Varietal Flight, a selection of New York grown grapes, which tend to be drier wines, and the World Tour Flight, a selection of wines imported from various regions throughout the world.  Each flight is $5 if purchased on it’s own.  One flight, plus a winery tour and a signature wine glass will run you $10, and a tour of the winery without a tasting is $6.  I, unfortunately, had planned a full day and so didn’t have the time for a tour, but I will definitely be heading back for another visit, and this time will make sure I plan enough time for the tour.

Tastings and winery tours are available Friday through Sunday year-round:  January-March, Friday-Sunday 11-5; April-December, Friday 11-5, Saturday 11-6, Sunday 11-5.

Brotherhood Winery
100 Brotherhood Plaza Drive
Washingtonville, NY 10992
845-496-3661
www.brotherhoodwinery.net

Brotherhood’s Varietal Flight, Tuesday, August 31st…

Powered by Bookmarkify™

Marguerite Barrett
Contributing Writer

We kicked off the tasting with the 2008 Rosecliff Pinot Gris. Like all Greevnale’s wines, the Pinot Gris is estate-grown and these vines are about 10 years old.  The color is a medium yellow-gold, darker and richer than many of the whites I’ve encountered here in New England.  The nose is soft with light notes of honey.  Fermented and aged in stainless steel, the result is a crisp wine that starts cleanly and finishes on subtle notes of green apple.  There’s a nice balance of acid that works well with the tangy slightly sourness of the green apple for a refreshing experience overall.

2007 Chardonnay The Chardonnay, as opposed to the Chardonnay Reserve, is produced from the younger Chardonnay vines, and aged in a combination of French Oak (52%) and Stainless Steel (48%).  The color is a medium yellow, and the nose is soft and creamy with very light floral notes and just a hint of vanilla.  In the mouth the wine is really lovely, soft, smooth and creamy on the front with a light touch of acid on the finish providing a nice balance.  Light citrus notes, primarily lemon, play with notes of creamy butter and vanilla for a rich, satisfying experience.  This will pair very well with a wide variety of foods, but also stand up on it’s own.  Definitely one of the stars of Greenvale’s current line-up.

2007 Chardonnay Select. The Chardonnay Select is made from older Chardonnay vines, planted in 1983.  It’s 100% oak aged, but in older French oak barrels to ensure a softer, more subtle oaking.  The color, while still falling within the medium yellow range, is lighter than the previous two wines, and the nose is earthy with hints of grass.  In the mouth, the wine, while still rich, is much sharper than the Chardonnay.  There are notes of cream and vanilla which indicate it’s moving toward that lushness I found in the Chardonnay, but it’s not there yet.  The citrus notes, again primarily lemon, are stronger in this one as well, although I also detected notes of grass which I didn’t pick up in the Chardonnay.   The acid is also much stronger in the Select than it was in the Chardonnay, and somewhat overpowers the finish.   Given 6-9 months, this will be a really beautiful  wine, but it’s not quite there yet.  That being said, it was educating to taste it now, particularly juxtaposed with the Chardonnay, and be able to see the potential in the wine.  If you’re looking to start a wine collection, I would definitely add this to list of wines to pick up now.

2008 Chardonnay Select.  While this wine is not yet available for sale (although I believe it will be soon), Kristen did have it available for tasting.  Like the 2007 Chardonnay Select, this is produced from the older vines and aged for 9 months in the older French Oak barrels.  Another very interesting contrast to the previous two wines.  The color is deeper and more golden.  The nose is soft, deep and fruity with light citrus notes.  In the mouth, the wine is still young; strong notes of grapefruit and a somewhat strong acid finish combine to produce just a touch of bitterness on the end.  The wine hasn’t yet developed much of the creamy vanilla butteriness I found in the other two Chardonnay’s, but there is a smoothness on the front of the wine that speaks to it’s potential.  Given another year or so in the bottle, I believe this wine will mature and soften into a lovely wine.

2008 Vidal Blanc Grown from Greenvale’s oldest vines, this is another very nice wine, and while not as strong as the Chardonnay, definitely one of the brighter stars on the current Greenvale wine list.  The color is a pale yellow;  the nose is lush and soft with rich notes of apricot.   It has a bit of the vidal lushness that you find so often in the sweeter dessert wines, but the effect isn’t as concentrated.  In the mouth, the wine is more complex than I anticipated with soft, subtle notes of pear on the front which develop into the slight tartness of green apple in the mid-back range of the tongue.  The wine has a nice balance of acid which gives it a really crisp finish, but it never completely loses the faint sweetness from the pear.  This will pair well with seafood, chicken, salads, and spicier foods such as Thai.

The last of the whites was the Skipping Stone White.  A blend of 90% Cayuga and 10% Vidal, from the first encounter this wine was not anything I was expecting.  The color, while still in the yellow rather than straw category, is the lightest of all the whites.   The nose, which I anticipated to be perhaps slightly floral or have citrus notes, smelled like nothing so much as grape jelly.  Yes, you read that right – if I hadn’t been told this was a Cayuga and Vidal blend, the nose would have led me to believe there were Concord grapes here.  The Concord flavors carried over into the mouth as well.  The sweetest of all the whites (although it is still a dry wine), the wine is very juicy on the front with lush notes of grape jelly.  The finish is dry although the acid isn’t as strong in this wine as it was in several of the previous wines.  Kristen told me that this was Greenvale’s most popular wine, and I’m not surprised.  Those who like their wines a bit sweeter will really like this, and I found the Concord grape notes to be quite pleasant once I got over my initial surprise.   Don’t be put off by my Concord-grape description, this is an eminently drinkable wine and will appeal to a wide range of wine drinkers.

The one red available on the menu that afternoon was the 2005 Elms Meritage. A blend of all three of Greenvale’s estate grown red grapes, the Meritage is 60% Cabernet Franc, 38% Merlot, and 2% Malbec.  The vines are some of their younger ones ranging between 11 and 14 years old.  In addition to the initial aging in French Oak, Greenvale also bottle ages all their reds for an additional 2-3 years.  The nose has that very distinctive New England “twang” or tanginess that I’ve come to know and love.  I mentioned it to Kristen, who agreed, and we spent a delightful few minutes trying to adequately describe it.  I likened it to the tang of salt air in the Fall; she countered with “chalky granite” which I also get.  The word that we eventually came to is flinty, that smell you get from wet rocky soil after a hard rain…

I’m still working on the description.

Back to the wine…  In the mouth the wine is a little like Alice Through the Looking Glass, everything was the opposite of what I expected.  The predominant notes I picked up were pepper and cherry, but the pepper is on the front and the cherry on the finish.  It shook things up in a rather delightful way.  The pepper, while strong, is not overpowering and hits you with a nice sharp kick of heat in the front before really opening up in the mouth.  That initial kick of heat quickly settles down to a warm glow throughout the mouth at which point the fruit starts to pull through.  The finish is smooth with notes of just-ripe cherries.  This wine would be best paired with stronger, heartier meats and cheeses, and Kristen mentioned that when paired with a strong, creamy cheese like a Blue Cheese, the pepper settles down considerably.

Greenvale is also close to releasing their 2006 Cabernet Franc.  All of their wines are produced in limited quantities and that combined with the 2-3 year bottle aging for the reds means they often sell out of their reds well before the next vintage is ready for release.  I’ll definitely be watching their website and planning a return visit once the Cab Franc is released.

Powered by Bookmarkify™

Marguerite Barrett
Contributing Writer

My week’s vacation found me pretty much all over the New England/Northeastern map.  A couple of days traversing the back roads of Connecticut, finishing up the Connecticut Wine Trail, a day in the Hudson River Valley in New York, and two days in Maine.  And, of course, lunch and wine in Newport.

My first visit to Newport was last summer with my erstwhile wine-trail-buddy, Christy.  Completely on a whim, we had hopped in the car and headed east one Saturday afternoon, planning on visiting the three wineries in the Newport area.  Unfortunately the drive took slightly longer than planned and the crowds at Newport Vineyards slowed us down somewhat, so we were only able to fit in two of the three wineries that afternoon.  And if I remember correctly, we squeaked in for the last tasting at Sakonnet Vineyards by the absolute skin of our teeth.  I hadn’t intended to let an entire year pass before I made it back to the third and last winery in the area, Greenvale Vineyards.

But it has actually been a year, almost to the day, since Christy and I made that first trek out to Newport.  I had returned to Newport in December to tour the “cottages” all decked out in their Christmas finery, but I was with my cousins and the schedule was tight as it was, so no side trips that day.

The day turned out to be picture-perfect.  A leisurely two-hour drive from Hartford put me in Newport just about lunch-time.   First, a stroll down America’s Cup avenue with beautiful views of the harbor and ocean on my right and the shops on my left…  Then a stop at the Barking Crab for a wonderful lobster salad BLT for lunch, heavy on the lobster, light on the mayo – just the way I like it…   Finally finished up with a quick stop in a few of the local shops on the way back to the car and it was time to head to the winery.

Greenvale Vineyards is about 6 miles slightly northeast of Newport in Portsmouth.  The farm has been in the Parker family since 1863 operating primarily as a dairy farm until the later 20th century.  Nancy Parker Wilson, Greenvale’s General Manager, is a 5th-generation Parker, and her mother, Nancy Knowles Parker is publisher of three local wine publications, the New England Wine Gazette, the Finger Lakes Wine Gazette, and the Virginia Wine Gazette.

The Parker estate sits along the banks of the Sakonnet River with vineyards running along the slopes up from the river banks.  Greenvale planted their first vines in 1982 and now have 24 acres of grapes including Chardonnay, Pinot Gris, Vidal Blanc and Cayuga and Cabernet Franc, Merlot and Malbec.  Yes, you read that right, Malbec.  I was surprised as well, not imagining that Malbec would do well in the colder winters and shorter growing seasons of New England.  However, the Newport area is blessed with a micro-climate that is similar to the fields of northern France, as Kristen, my lovely host for the afternoon, informed me.  In addition to the Newport micro-climate, the terroir, slope and drainage of the Greenvale fields are also conducive to growing both Malbec and Merlot.

Speaking of my host, Kristen, she is one of the true gems of Greenvale.  Relaxed, friendly and extremely knowledgeable about wines in general and Greenvale wines in particular, she really made the visit.  As I pulled in another couple were just leaving, and so I had the winery – and Kristen – to myself.  It wasn’t just that she was welcoming, it was more that she was completely comfortable with what she’s doing – she really loves her job and it shows.  She didn’t just pour a tasting, she accompanied me throughout.  We took some time to talk about each wine; she told me her thoughts and was genuinely interested in mine.

Granted, I am often visiting wineries on weekends when things are busy, but so often the staff sort of parrots the tasting notes and then walks away, or doesn’t seem too interested in what you might be picking up in the wines.  I can imagine it could be uncomfortable and awkward, particularly if you are the winemaker, to hear people talk about your wines.   And everyone I’ve met has been very friendly and welcoming.  It’s just that Kristen makes you feel like you’re sitting around talking to a buddy about wine, and that she’d be happy to sit there as long as you wanted to talk about wine – and it made for a very fun afternoon.

All of Greenvale’s wines are estate-grown.  They rent tank space from Newport Vineyards a few miles down the road, but all the grapes are grown on the Greenvale farmland on the banks of the Sakonnet River.  The Tasting Room is in a charming renovated horse stables set about 1/4 mile back from the main road, in the midst of the vineyards.  The long driveway takes you through vineyards and pastures and past a beautiful large New England farmhouse currently occupied by Greenvale’s owner, Nancy Knowles Parker.  At the time it was built, 1865, it was the largest home on the island.  Even though it was later dwarfed by the palatial “cottages” of the Vanderbilts, Astors and others, it is a lovely house and a perfect centerpiece for the estate.

Greenvale currently produces seven wines, five whites and two reds.  Two of the wines, the Rosecliff Pinot Gris and the Elms Meritage are named for two of the mansions owned by the Newport Historical Preservation Society and feature pictures of the homes on their labels.  A portion of the proceeds of each wine goes to the Preservation Society to help with the upkeep of the historic mansions of Newport.

Greenvale is open year-round: April – December Monday-Saturday, 10:00 am – 5:00 pm and Sundays 12:00 pm – 5:00 pm.  Winter hours (January-March) are Monday-Saturday 11:00 am – 4:00 pm and Sundays 12:00 pm – 4:00 pm.  Public tours are offered every day at 2:00, and private tours can be arranged with advance notice.   Greenvale often hosts live music and special events, and the site is available for private parties and rentals, check the website for details.

Greenvale Vineyards
582 Wapping Road
Portsmouth, RI 02871
401-847-3777
info@greenvale.com
www.greenvale.com

Coming Tuesday, September 24th: Greenvale’s wines…

Powered by Bookmarkify™

Marguerite Barrett
Contributing Writer

I first visited Savino Vineyards in Woodbridge, Connecticut late in the season last year by which time they had already sold out of the Cabernet Franc and the Frontenac.  I made a mental note to return in 2010 to sample the latest vintages of the two wines I missed in 2009.

So, as I left Northwinds Winery, I decided to detour south and stop by Savino to see what they had on the menu this season.  Unfortunately, neither Cabernet Franc or Frontenac are included in this season’s wine list, but I did have the chance to revisit the 2008 Seyval Blanc and the 2007 Merlot as well as sample two new wines, the 2008 St. Croix and the 2008 Merlot.

I also was lucky enough to meet owner and winemaker, Gennaio Savino.  Savino grew up in Italy making wine and returned to the business after he retired.  He planted his first vines about 10 years ago, and today his vineyard encompasses 8 acres and includes Seyval Blanc, St. Croix, Merlot and Cabernet Franc grapes.  All of his wines are produced from estate-grown grapes, although he does bring in a small amount of Merlot from California to blend with his locally-grown Merlot.

2008 Seyval Blanc I first tried the 2008 Seyval Blanc, the only white Savino produces, on my visit last Fall.  At the time I noted that the predominant notes were citrus, particularly grapefruit and were a bit strong.  Over the ensuing 8 months, the wine has mellowed.  Still crisp and tangy with a nice burst of acid on the finish, the citrus notes are softer and a bit lighter.  I still picked up the grapefruit, but it wasn’t as pronounced as before.   On second tasting, I found myself taking to the wine even more than I had previously, and I had enjoyed it on first tasting.   It’s not that often that I take the chance to go back and try the same wine, same vintage, only months later.   Often when I return to a winery, I either want to sample wines I wasn’t able to taste during my previous visit, or try the new vintages.  However, now I’m rethinking that strategy, and will definitely peruse the wine lists with an eye for the chance to revisit a wine I’ve previously tried.

2008 St. Croix The 2007 St. Croix was my favorite of the Savino wines on my first visit.  At the time I had bought a bottle and drank it a few months later, finding it to be a lovely, complex wine that paired very well with the beef I had for dinner that evening.   The 2008, while it didn’t disappoint, didn’t quite live up to my memories of the 2007.  Dark purple in color, with a tangy, fruity nose, the wine is lighter-bodied with an earthy fruitiness and notes of cherry that linger on the lips.    In my notes I likened it to eating just-ripe, just picked cherries.   What made the wine interesting though were the earthy notes, up front I detected notes of soil and grass, and it wasn’t until the finish that I got the cherries.  Again, not a bad wine, but not as strong as the 2007.

2007 Merlot The tasting concluded with back-to-back Merlots, 2007 vs. 2008.  I had sampled the 2007 Merlot on my previous visit, and given my reaction to the Seyval Blanc was very interested to see if I found a similar change in the 2007 Merlot.  Unfortunately not.  The nose is a bit richer, more jammier than I remembered, but in the mouth the strong peppery, slightly bitter notes that I picked up on my previous visit were still present.   It’s not bad for a Connecticut Merlot, which tend to be lighter-bodied and not as smooth as their California or Oregon counterparts, but it still didn’t win me over.

2008 Merlot The 2008, however, was a completely different story.  The difference between the two begins on sight: the color, which in the 2007 is a dark purple, is more of a bright ruby in the 2008.  The nose is much more subtle, duskier and while there are still notes of cherry, it is less jammy than the 2007.  In the mouth the wine is stronger bodied, richer, more lush, with soft deep notes of cherry, warm soft spice rather than the sharp bite of pepper, and a nice light smoke from the oaking.  It’s smooth and opens up nicely in the mouth.  This one could, just possibly, win me over to Connecticut Merlots.

Powered by Bookmarkify™

Marguerite Barrett
Contributing Writer

The tasting kicked off that afternoon with the Traminette, altogether a very lovely wine and my favorite of the afternoon.  The nose is very aromatic, with strong floral notes – very pretty.   The wine is crisp and refreshing, with very light notes of sweetness from subtle fruit flavors, maybe a hint of peach, that blend well with the floral notes in the nose.  The finish is crisp with a nice balance of acid.  This is a great sipping wine as well as a wine that should pair well with a wide range of foods.  I liked it so much I actually went home with two bottles – unusual for me.

Next up was the Zephyr.  Because this is the one Northwinds wine that uses non-estate grown grapes, this wine must be labeled differently from the others.  What I loved about Northwinds is that they really embraced that regulation, producing a bottle and label that was not only distinct from their other wines, but distinctive in and of itself.  The wine is a blend of their estate-grown Traminette and Sauvignon Blanc brought in from off-site.  The nose still has the pretty, floral characteristics of the Traminette, but it’s tempered by the Sauvignon Blanc, and as a result is not quite as aromatic as the Traminette.  In the mouth the wine is smooth and refreshing, although not as crisp as the Traminette.  There are also some grassy notes in this one which temper the floral notes.  It’s not a bad wine, and a lot of people, including many around me that afternoon who will like this wine very much.  But I found myself definitely preferring the crisper, more aromatic Traminette.

Last up for the whites was the Vidal Blanc.  Darker in color than the previous two which were more of a pale yellow, the Vidal Blanc is more of a light gold color.  The nose is lovely with sweet floral notes of orange blossom and peach.  In the mouth, the Vidal Blanc, like the previous two, tends more towards the floral rather than the fruity, although the flavors are more subtle in the mouth than in the nose.  I definitely picked up the orange of the orange blossom as well as some light grassiness which provided a bit of depth and kept the wine from being sweet.  The finish is fairly smooth with just a light touch of acid.  Not as crisp as the Traminette, I’d be more likely to drink this wine with food rather than on it’s own.  Still, overall a nice wine, and for those who like their whites tending toward the sweet rather than the dry, this is a nice find.

With that we moved on to the single Rosé.  The most distinctive thing about the Rosé is its color, a beautiful amber gold color.  A color one associates more often with late harvest dessert wines, not Rosés, a comment which I blurted out as soon as I saw the wine.  The Rosé is a blend of three table grapes, the Himrod, Vanessa and Jupiter grapes.  The result is not your typical Rosé, and for those, like me, who often shy away from Rosés finding them too light-bodied and, often, too sweet, this one is definitely worth a try.  the nose is soft and fruity, almost like a late harvest nose.   That combined with the unconsciously led me to expect a much sweeter wine than the one I found.  In the mouth, the wine is much drier than I expected, although until I noted my surprise I hadn’t realized the extent to which I was expecting a sweet wine.  There is a light sweetness, but as with the other Northwinds wines, the overall notes are floral rather than fruity, including a hint of peach blossom.  The finish has a pleasant bite of acid, although overall the wine is smooth and rich in the mouth.  Definitely not what I was expecting from a Rosé.

From the Rosê the tasting proceeded to the first of Northwinds two reds, Boreas a blend of Cabernet Franc (85%) and St. Croix (15%), both estate-grown.   Garnet colored, with a dry, dusky nose with subtle notes of black cherry.  In the mouth, the wine echoes the subtle notes of black cherry found in the nose, with a slight smoke from the Hungarian and American oak barrels.  On the lighter side of medium-bodied, I found the wine didn’t really open up in the mouth, although subsequent sips did provide some layering of flavors and smoke.  The wine should pair well with chicken and lighter meats, such as grilled pork, but I don’t feel it’s robust enough to stand up to the heavier meats such as beef, lamb or veal.  I was somewhat disappointed with this wine, really wanting it to open up more in the mouth.

And last, but not least, the tasting concluded with the St. Croix. Dark garnet, with a really nice soft, rich dusky nose with the faintest hints of fruit.  The wine is medium-bodied, smooth and richer than the Boreas, with interesting notes of grass and earth as well as leather from the oaking.  As with the nose, there are  faint notes of dar berries, but the predominant notes are grass and earth.  I definitely preferred this over the Boreas.  This should pair well with a variety of foods.

I went home that afternoon with two bottles of the Traminette – unusual for me to go home only with whites, and with two bottles of anything.  A 1oz sip, while giving you a sense of the wine, isn’t really enough to truly understand the wine.   I really don’t know if I am going to love something until I have the opportunity to linger over a whole glass as well as pair the wine with food.   Therefore, my standard practice is to bring home a single bottle of wines that intrigued me during the tasting.  Depending on the wine, I’ll either put in the cellar (makes that dark back corner of my basement sound so grand to call it a cellar) to sit for a few months up to a year, or put it in the rack to be opened soon.   This gives me the opportunity to better explore the wine before deciding it’s something I want to invest in having on hand.  It’s this practice that turned me into a Cabernet Franc lover.  The first couple times I tried Cab Franc here in Connecticut, I really wasn’t sure, often feeling upon first sip that the wines were pale versions of their more robust Cabernet Sauvignon cousins.   But there was something there that intrigued me, so I brought home a bottle from one or two wineries.  Let them breathe for a good 20-30 minutes after opening, paired them with food, and found a whole new wine to love.  So to go home with two bottles was a definite departure from routine for me, but I really liked that Traminette.

I’ll have to make a mental note to head back in late September to try the Riesling.

Powered by Bookmarkify™

Marguerite Barrett
Contributing Writer

This past Saturday marked the start of a week-long vacation.  As I had gone to Quebec over the Fourth of July weekend and as I wasn’t in the mood to think about packing or, worse, getting on a plane, I decided to make this week’s vacation a Win(e)ding Roads adventure.  I have just a few wineries left on the Connecticut Wine Trail, have the pass I purchased for the Hudson Valley wine trail, and have been wanting to move a bit further afield – maybe Cape Cod or Maine – just to see a bit more of New England.  A week’s worth of wineries sounded very appealing.

I kicked off the week in leisurely fashion, sleeping in, meeting my friend Christy (who’s staying off the wine trail for a while) for lunch, and then heading to Watertown and Northwinds Vineyard, one of the last four Connecticut wineries on my list.

Northwinds is a charming winery in the hills just above Lake Winnemaug, not to be confused with Lake Warramaug (as I did), the home of Hopkins Vineyards, further west.  No wonder my GPS had so much trouble finding the place, probably would have helped if I had typed in the right name…   The main house and winery is a large newer-construction home with a charming front brick entrance-cum-porch.  The garage appears to have been converted into the winery, and signs direct you around the house to the Tasting Room in the back, a large open-air patio with a gazebo roof and canvas “walls” that roll down during inclement weather.   The staff is welcoming and, despite the steady influx of newcomers, well able to keep the tastings moving along so no one was forced to wait long to begin their tasting.

Only a few years old, Northwinds has approximately 3,600 vines, St. Croix, Cabernet Franc, Vignoles, Riesling, Vidal Blanc and Traminette, on five acres of prime Connecticut farmland soil.  Prior to planting grapes, the farm had produced corn and hay for more than 50 years, which left the soil rich in minerals particularly suited for the grapes.   Northwinds also takes a sustainable, organic approach with the cultivation and maintenance of their vineyards, and their pest control process utilizes only materials listed with the Organic Materials Register Institute.

Almost all of their wines are estate grown, the one exception being their Zephyr wine, which blends their locally-grown Traminette with Seyval Blanc brought in from off-site.   For $5, the tasting menu includes six of their eight wines: three whites, the Traminette, Zephyr, and Vidal Blanc, Northwinds’ Rosé, and two reds, the Boreas and the St. Croix.  As you find in many wineries, the dessert wine, the Late Harvest Vignoles is not available for tasting, and the final wine, the Riesling, is available in the Fall.  Northwinds swaps out the Riesling and the Rosé on the tasting menu, featuring the Rosé in the Spring and the Riesling in the late Summer/early Fall.

The winery is open for tastings on Saturdays only from 11:00 – 5:00 between June and just before Thanksgiving.  In addition to their wines, Northwinds also has gift baskets which can be ordered by calling or stopping by the winery.  They also are open to the public the Saturday before Christmas for wine sales and gift basket pick-ups only.

Northwinds Vineyard
471 Lake Winnemaug Road
Watertown, CT 06795
203-233-3941

Powered by Bookmarkify™

Marguerite Barrett
Contributing Writer

There were probably a good 20-30 people already there when I arrived, hence the lack of available parking.  The wine bar was full with roughly 15 people across, and there were several groups ranged around the wine barrels serving as bar tables scattered throughout the loft area.  Rather than fight my way to the bar, I wandered out onto the deck and enjoyed the views and wait for a space to clear at the bar.   As Saltwater only produces five wines, the wait was less than ten minutes.

Saltwater Farm sits on farmland that dates back to 1653 when Walter Palmer, originally a member of the Massachusetts Bay Colony, established a 230-acre farm in what is now southeast Connecticut.  Portions of the original farm, including the land encompassing the vineyards, continued to be farmed into the 20th century, until the 1930s when a small airport was opened on the site.  By the early 1950s the airport had closed and the land sat unused until it was purchased in 2001 by Michael Connery, a former partner in Skadden, Arps, Slate, Meagher & Flom.  Connery restored the airport hangar turning it into the winery and tasting room, and planted 6 varieties of grape, including Chardonnay, Sauvignon Blanc, Cabernet Franc and Merlot, on 15 of the farm’s 108 acres.  The winery produces about 20,000 bottles or 1,600 cases a year  split between Sauvignon Blanc, Chardonnay, Cabernet Franc and Merlot.

On the afternoon of my visit, there were five wines available on the tasting menu:

Sauvignon Blanc This is a light, crisp, fruity wine, perfect for a warm summer evening or paired with salads or light pasta dishes.  Straw-colored with a lightly fruit, citrusy nose, the wine is very smooth in the mouth with a nice bit of acid on the finish.  Fruity, but not sweet, the predominant notes are citrus, a hint of grapefruit and lemon, but nothing overpowering.

2006 Chardonnay The tasting menu featured back-to-back tastings of both the 2006 and the 2007 Chardonnay.  The 2006 is a nice wine, more floral than fruity.   Also straw colored, although a bit deeper in color than the Sauvignon Blanc, the nose on the Chardonnay is bright and clean, with floral notes that evoked Spring.  In the mouth, the wine has notes of grass and green pepper.  The descriptor I kept coming back to as I sipped the wine was “clean.”  The earthy notes of grass and green pepper are light and bordering on the floral rather than on the stronger dusky earthiness one sometimes finds.  Also, if the wine is oaked, a question that for some reason either wasn’t answered or I didn’t jot down in my notes, the oak is extremely faint.  The finish is very smooth, with very low acid.

2007 Chardonnay Of the two Chardonnays, my preference was very definitely the 2007.  Similar in color to the 2006, the nose is brighter, earthier, and more interesting.  In the mouth, rather than the grassy, green pepper notes of the 2006, the wine is more citrusy, with bright notes of lemon, and a soft, subtle tartness of grapefruit.  The citrus is not overpowering, and there is still an element of the grass I found in the 2006.   Also “clean” with no, or very low oaking, the 2007 also has a bit more body, which I found I preferred.

Cabernet Franc 100% Cabernet Franc grapes, this is a very nice member of the Connecticut Cabernet Franc family, and my favorite wine of that visit.  A medium garnet color with a lovely, rich, jammy nose, the wine is smooth and earthy.  Despite the jamminess of the nose, the predominant notes on the palate are earthy, although I found myself struggling to identify particular notes.   Underneath the earthiness, however, are very subtle notes of soft dark berries, the presence of which gives the wine depth and richness.   The wine is medium-bodied and while it never really opens in the mouth, it does layer with each subsequent sip and should become a rather interesting wine if one takes the opportunity to drink more than the standard 1oz tasting.  This would pair well with lamb and veal.

Merlot The tasting concluded with the Merlot.  I’ve never been won over by any Northeast Merlot I’ve found.  Even when the vintner is bringing in grapes from California or Oregon, I find the Merlots to be “thinner” and less complex than their Western US or European counterparts.  Saltwater Farm’s Merlot is pretty good for a Northeastern Merlot, but it didn’t win me over either.  A medium purple color with another “jammy” nose, the wine is both earthy and fruity.  The earthiness comes through in an almost dusty way, tempered by notes of black cherry that linger on the roof of the mouth.  Medium-bodied with nice tannins, the wine feels a little sharp, or young, in the mouth.  I suspect some of that will soften with age, and perhaps with extended breathing, but even with that, my preference remains the Cabernet Franc, a much more interesting wine overall.

That concluded the tasting for the afternoon.  I spent a few minutes enjoying the peace of the Zen garden before calling it a day and heading home.

Powered by Bookmarkify™